A fun, funny look at gay life in Toronto.
A gay young man ponders his future in Yeh’s novel.
Medical student Daniel is in a happy, loving relationship with David in Toronto, but he’s got the nagging sense that not everything is as it should be. For one thing, David’s brother wants him to be a sperm donor for him and his partner, which Daniel isn’t really on board with. In the background is Marcus, who Daniel dated before David and who is often on Daniel’s mind. As the months go by, Daniel starts to realize that he and David are forming a family, and that David has been doing the heavy lifting in their relationship; Daniel resolves to commit to the relationship and ask David to marry him. Of course, once Daniel makes this decision, Marcus reappears (“There he was: my ex-boyfriend in a trench coat and Ray-Bans, leaning against a glorious red convertible with cream-coloured bucket seats. I felt like Mia Sara summoned out of school by Ferris Bueller. It wasn’t a Ferrari 250GT, but it might as well have been”). Ultimately, Daniel has to decide what shape he wants his adult life to take, and whether his “happily ever after” is with David. The novel has a large cast of quirky characters, most of them artists. The narrative covers a year in the life of Daniel, who moves through a series of interesting events on his way to discovering who he is and what he wants; he attends a literary salon in which all of the readers are naked, consoles his peers about their messy love lives, graduates from medical school, fights with his best friend, endures his brother’s homophobic girlfriend, and becomes part of an art exhibit when nude photos of him are included in one of Marcus’ installations. The story is a fun trip through the lives of this eclectic group of friends, and the relationship between Daniel and David is equal parts raunchy and sweet. This is the third book in a trilogy, but it works fine as a standalone story.
A fun, funny look at gay life in Toronto.Pub Date: N/A
ISBN: 9781771838221
Page Count: 331
Publisher: Guernica Editions
Review Posted Online: Aug. 21, 2023
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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