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I COULD ALMOST TOUCH THE DEVIL

An illuminating account that should be a vital tool in helping others, delivering both warning signs of mental illness and a...

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In this debut memoir, a teacher recalls how she became blindsided by mental illness.

“When did it all go wrong? How did I become a statistic, and what is mental illness anyway?” When Roger began having panic attacks, these were her questions. After all, she was living her dream: teaching music in public school, running her own private studio, and raising a family. But she was no match for the cards stacked against her, including a genetic predisposition to mental illness, emotional scars from childhood bullying, and a turbulent marriage. In addition, she recalls: “Teaching in the school system is like a pressure cooker for the soul.” Soon her anxiety was joined by severe depression, OCD, a suicide attempt, a bipolar diagnosis, and episodes of self-mutilation. Finally, she began her recovery with a two-week stay in a mental hospital and gradually found the necessary tools to heal. Loving parents supported her; new medications began clearing her mind; and she prioritized self-care. Her hardships didn’t cease: She faced financial implosion and the dissolution of her marriage. But she continued to carry on, eventually even finding a way to replace her prescriptions with holistic healing. In this raw and enlightening memoir, Roger’s trepidation is evident when disclosing highly personal details yet she courageously holds nothing back. In a particularly heart-wrenching scene about cutting herself, she writes: “I would begin to sketch horrible names sadly Frank regularly called me….My thighs became a dictionary. I loathed myself, because my husband loathed me.” Her spot-on descriptions of her psychological state should be highly valuable for those seeking to make sense of mental illness, either their own or a loved one’s (“I have this ability to analyze a situation and find the absolute worst-case scenario and then let it ferment”). Also noteworthy is her process of self-acceptance, from considering herself a “psycho” to simply realizing that her mind, like any other organ, was subject to illness. Overall, her genuine, perceptive, and optimistic prose is a pleasure to read.

An illuminating account that should be a vital tool in helping others, delivering both warning signs of mental illness and a road map to recovery.

Pub Date: N/A

ISBN: 978-1-5255-2290-1

Page Count: 144

Publisher: FriesenPress

Review Posted Online: Jan. 28, 2019

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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