A technologically riveting dream for sci-fi action fans.
First contact with a benevolent alien race leads to an all-out war in this sci-fi novel.
Capt. Jake Giard of the U.S. Air Force accompanies Lt. Victor Croft on his F-22 training maneuvers. Each man flies a fighter jet above Nevada’s nighttime desert, near Nellis Air Force Base, prior to upcoming deployment to Afghanistan. Then, a dramatically lit UFO rockets past them without appearing on radar, at what they believe to be “Mach four or better.” When the jets lose electricity, their flight paths begin to eerily intersect. Jake eventually regains power and lands safely. Victor does not and crashes. Upon exiting his F-22, Jake is arrested, interrogated, and told to act as if the horrible night never occurred. His girlfriend, Capt. Sandra Fitzpatrick, wants to report the coverup to the Judge Advocate General. Instead, Jake is summoned to Washington, D.C., by his old flight school friend Richard Allison, who remains cryptic, saying, “You’ve stumbled into something bigger than you can imagine.” Deep beneath the Pentagon, Jake is introduced to the reality that humans are not alone in the Milky Way galaxy. Not only that, but there is a transgalactic government ready to aid humanity throughout the next phase of its history. Cole (Retribution: Sector 64, 2016, etc.) tackles the first-contact scenario with bombastic flair, feeding sci-fi action fans one excellent tableau after another. His vibrant prose, whether detailing fighter jet capabilities or the craggy interiors of an alien craft, delivers the high-resolution imagery of a Hollywood blockbuster. The faster-than-light speed, for example, “squeezed the incoming photons streaming from the stars abeam and forward of the fleet into a fish-eyed cluster of light.” Best of all is Cole’s thought-provoking rationale behind humanity's lengthy jump to a star-faring species: readers learn that “if energy trading weren’t such an integral part of [the global economy], we would’ve had a shorter transition.” The second half of the narrative offers an absolute widescreen blowout of conquering ships and slavering, vengeance-obsessed villains, given weight by an endearing set of heroes.
A technologically riveting dream for sci-fi action fans.Pub Date: Sept. 8, 2014
ISBN: 978-1-5005-8255-5
Page Count: 450
Publisher: CreateSpace
Review Posted Online: March 24, 2016
Kirkus Reviews Issue: May 1, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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