A sometimes-moving story of recovery that’s hampered by problematic moments.
A memoir of living in an Alaskan village and narrowly surviving disaster.
Burch, a portrait photographer,tells of the culture shock she experienced in the 1960s when she joined her husband, Ernest “Tiger” Burch, in his anthropological research in the Alaskan village of Kivalina. Throughout the book, Burch pulls no punches about her early discomfort with her living conditions and the difficulties she had socializing with local Inuit people. Throughout, she describes challenges of daily life, such as learning to eat freshly butchered seal meat and using an outdoor “honey bucket” instead of an indoor toilet. She also recounts how she had a hard time fitting into village society as well as her husband did; he was already a known quantity in the village when she arrived. She’d had little past experience with communal life and its attendant lack of privacy. Midway through, the book shifts to a story of a catastrophic accident and her husband’s later recovery against tough odds. This part of the book effectively describes the author’s transformation from a sheltered newcomer to a person “ready to face whatever lies ahead.”The book includes photographs of the author, her husband, and people they met in Kivalina. Often, this book provides engaging stories of the author’s time in Alaska with her late husband. Burch’s observations include notable details of how members of the village’s Inuit population embraced modernization by, for example, using umiaqs (sealskin boats) with outboard motors and traditional parkas with manufactured fabric covers. However, some references to the Indigenous population, who are often referred to as simply “the natives,” are off-putting and have a grating, condescending tone: “Does being Tiger’s wife mean I have to act like a native? I don’t want to be an Eskimo”; “It’s hard to imagine they’ve never eaten fresh fruit or vegetables….Maybe someday, I’ll invite them over to experience white people’s food.”
A sometimes-moving story of recovery that’s hampered by problematic moments.Pub Date: March 1, 2021
ISBN: 978-1-94-964259-9
Page Count: 290
Publisher: Authority Publishing
Review Posted Online: May 21, 2021
Review Program: Kirkus Indie
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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