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THE PIANO MAN

Chocolate (Kente Colors, 1996, etc.) refers to her grandfather as the man behind this story, but this memory piece about a pianist in the days of silent films and vaudeville comes with the standard disclaimer—that all the characters and events are fictitious. A narrator talks about her grandfather, who gave the audiences of silent movies the appropriate thrills with his piano music, teamed up for dancing with his wife, and then returned to the movie theater when his daughter was born. It's an appealing story, but young readers won't make much sense of Florenz Ziegfeld, Jelly Roll Morton, and Scott Joplin's cameo appearances. The text is flawed by an anachronism—Phantom of the Opera was not produced as a musical until 1943, so a pianist would not have played themes from it to accompany silent movies—as well as a musical improbability. Joplin would not have encouraged a ``lightning-fast Maple Leaf Rag,'' since this most famous of his pieces was the one most often butchered by the ``speed'' players of his day, and he customarily published this warning at the head of his composition: ``Notice! Don't play this piece fast. It is never right to play `rag-time' fast.'' Velasquez provides expressive but flawed paintings, e.g., in one scene, the black piano keys are grouped incorrectly, and in another, the tuba player's arm and the trumpet's valves are missing. For such a charming story, it's unfortunate that so many of these details are wrong. (Picture book. 5-8)

Pub Date: Feb. 1, 1998

ISBN: 0-8027-8646-4

Page Count: 32

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1997

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THE INFAMOUS RATSOS

From the Infamous Ratsos series , Vol. 1

A nicely inventive little morality “tail” for newly independent readers.

Two little rats decide to show the world how tough they are, with unpredictable results.

Louie and Ralphie Ratso want to be just like their single dad, Big Lou: tough! They know that “tough” means doing mean things to other animals, like stealing Chad Badgerton’s hat. Chad Badgerton is a big badger, so taking that hat from him proves that Louie and Ralphie are just as tough as they want to be. However, it turns out that Louie and Ralphie have just done a good deed instead of a bad one: Chad Badgerton had taken that hat from little Tiny Crawley, a mouse, so when Tiny reclaims it, they are celebrated for goodness rather than toughness. Sadly, every attempt Louie and Ralphie make at doing mean things somehow turns nice. What’s a little boy rat supposed to do to be tough? Plus, they worry about what their dad will say when he finds out how good they’ve been. But wait! Maybe their dad has some other ideas? LaReau keeps the action high and completely appropriate for readers embarking on chapter books. Each of the first six chapters features a new, failed attempt by Louie and Ralphie to be mean, and the final, seventh chapter resolves everything nicely. The humor springs from their foiled efforts and their reactions to their failures. Myers’ sprightly grayscale drawings capture action and characters and add humorous details, such as the Ratsos’ “unwelcome” mat.

A nicely inventive little morality “tail” for newly independent readers. (Fiction. 5-8)

Pub Date: Aug. 2, 2016

ISBN: 978-0-7636-7636-0

Page Count: 64

Publisher: Candlewick

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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ROBOBABY

A retro-futuristic romp, literally and figuratively screwy.

Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.

Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)

A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-544-98731-9

Page Count: 32

Publisher: Clarion Books

Review Posted Online: June 2, 2020

Kirkus Reviews Issue: June 15, 2020

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