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THE KING WHO WOULDN'T SLEEP

For pluckier princesses, try Cornelia Funke and Kerstin Meyer’s Princess Pigsty (2007) and Mary Jane and Herman Auch’s The...

In this clever retelling of a common story, a king is determined to find the perfect prince for his lovely daughter.

So obsessed is the king that he vows to keep watch over the princess day and night—never sleeping—until he locates this perfect prince. Many princes seek the king’s favor, but he turns them all away, finding a fatal flaw in each. Undeterred, the princes try all manner of tricks and techniques to send the king off to dreamland, hoping for a chance to court the princess directly. The king proves impossible to fool, however, until a crafty farm boy enters the scene. He ultimately cons the king into counting 100 sheep, and, finally, the king is out like a light. He wakes to find the princess happy with the farmer, and a lavish wedding follows. Swain’s dynamic and appealing watercolor-and–color-pencil illustrations add charm, whimsy and amusing details to the happily-ever-after tale. For all the fun, though, there is also a bit of creepiness here—what with the father determined to watch his daughter every moment of the day until he marries her off and the princess sorely lacking a sense of agency.

For pluckier princesses, try Cornelia Funke and Kerstin Meyer’s Princess Pigsty (2007) and Mary Jane and Herman Auch’s The Princess and the Pizza (2008). (Picture book. 3-6)

Pub Date: April 1, 2012

ISBN: 978-0-7613-8997-2

Page Count: 32

Publisher: Andersen Press USA

Review Posted Online: Feb. 4, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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TWENTY YAWNS

Perfect bedtime story for the end of a busy day.

After a day at the beach, Mom, Dad, and Lucy are tired. But when the moon shines through her window, and everything looks mysterious, Lucy is suddenly wide awake. How will she go to sleep?

This warm, sweetly ordinary story is Pulitzer Prize–winner Smiley’s picture-book debut. The simple text describes a sunny day at the beach, with Lucy digging a hole, running into the water, walking from one end of the beach to the other, rolling down warm dunes, and eventually heading home, with Mom declaring, “Early bedtime!” As Mom reads a bedtime story, she falls asleep, and Lucy begins to nod off. But when moonlight bathes her bed, a wide-awake Lucy slips out of bed and pads out of her room in search of Molasses, her bear. Dad is snoring in his chair, and the house is very quiet. After finding Molasses—and all her menagerie of animal toys—Lucy settles them in her bed, snuggles in next to them, sighs a happy sigh, and falls asleep. Caldecott Honoree Castillo beautifully captures the warmth of the story in textured watercolors and bold, saturated colors. Of special note is the refreshingly straightforward portrayal of the family as biracial (Mom has dark skin and springy hair, while Dad is white). And the titular “twenty yawns?” Readers can find and count them sprinkled throughout the text.

Perfect bedtime story for the end of a busy day. (Picture book. 3-6)

Pub Date: April 1, 2016

ISBN: 978-1-4778-2635-5

Page Count: 32

Publisher: Two Lions

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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ONE LOVE

Though this celebration of community is joyful, there just is not much here.

A sugary poem, very loosely based on the familiar song, lacks focus.

Using only the refrain from the original (“One love, one heart, let’s get together and feel all right!”), the reggae great’s daughter Cedella Marley sees this song as her “happy song” and adapts it for children. However, the adaptation robs it of life. After the opening lines, readers familiar with the original song (or the tourism advertisement for Jamaica) will be humming along only to be stopped by the bland lines that follow: “One love, what the flower gives the bee.” and then “One love, what Mother Earth gives the tree.” Brantley-Newton’s sunny illustrations perfectly reflect the saccharine quality of the text. Starting at the beginning of the day, readers see a little girl first in bed, under a photograph of Bob Marley, the sun streaming into her room, a bird at the window. Each spread is completely redundant—when the text is about family love, the illustration actually shows little hearts floating from her parents to the little girl. An image of a diverse group getting ready to plant a community garden, walking on top of a river accompanies the words “One love, like the river runs to the sea.”

Though this celebration of community is joyful, there just is not much here. (afterword) (Picture book. 3-5)

Pub Date: Oct. 5, 2011

ISBN: 978-1-4521-0224-5

Page Count: 32

Publisher: Chronicle Books

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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