This bumpy goodnight journey won’t likely lead to golden slumbers. (Picture book. 3-5)
A rhyming journey around a child’s world just before bedtime.
Swooping, colorful motifs on each spread and lilting couplets invite the familiar practice of bidding goodnight to vehicles, flowers, and animals big and small that later appear as toys in a child’s bedroom. Beginning in the stratosphere, the story tours various ecological habitats before landing at last in the bedroom of a white child whose parents are settling down for bed. Unfortunately, the book’s artwork falls short of lulling readers. Importantly, penguins and sea lions are more likely to be found in the Antarctic than the Arctic, as implied here. Disjointed organization transports readers from oceans under northern lights to trains and rocket ships, from birds, bees, and deep-sea fish to a sleepy zoo. Inconsistent scale and proportion pose further problems. What looks like a young white girl walking a dog outside soon disappears, while inside the house a few page turns later is a white woman reaching for the child (perhaps she is mother?), with the same dog curled up nearby. Additionally, the text, though at times endearing (“Goodnight lights above, aglow”), at other times hiccups a bit (“Goodnight moon, goodnight sun. / Goodnight, goodnight, to everyone”). Uneven meter and unclear meaning interrupt an otherwise soothing read-aloud.
This bumpy goodnight journey won’t likely lead to golden slumbers. (Picture book. 3-5)Pub Date: Aug. 15, 2017
ISBN: 978-1-68119-363-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: May 23, 2017
Kirkus Reviews Issue: June 15, 2017
Though it looks like a book for longed-for children, it’s really for their parents.
A poetic ode to women who became mothers despite the challenges they faced.
Whether navigating the roughest seas, crossing the hottest deserts, or pushing through painful brambles, the mothers in this book know their long, hard journeys were worth the effort. There might have been failure and doubt, but now that it’s all over, they know they’d “do it all over again. For you.” First-person narration expresses in metaphor the extraordinary lengths some mothers will go to achieve their dream of holding a child in their arms. Sentimental and flowery, the text is broad enough to apply to the journeys of many mothers—even though the text is gender neutral, the illustrations clearly center the mother’s experience. At times another figure, often male-presenting, is shown alongside a mother. Soft, jewel-toned illustrations peppered with textures depict families with a variety of skin tones and hair colors/textures. The assortment of mothers shown demonstrates the universality of the message, but it also contributes to the absence of a strong visual throughline. In the concluding author’s note, Serhant shares her personal struggle to conceive her child, which included fertility treatments and IVF. Ultimately, although the sentiment is lovely, the message is too abstract to be understood by children and will be better received and appreciated by parents.
Though it looks like a book for longed-for children, it’s really for their parents. (Picture book. 3-5)Pub Date: March 24, 2020
ISBN: 978-0-593-17388-6
Page Count: 32
Publisher: Random House
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
A particularly soppy, sloppy addition to an already-overstuffed genre.
A bear cub gets a load of lyrical loving from a lumbering parent in this nature walk.
Expressed in stumbling rhyme—“I love you more than trees / love to change with every season. / I love you more than anything. / I cannot name just one reason”—Benson’s perfervid sentiments accompany scenes of bear and cub strolling through stands of birch, splashing into a river to watch (just watch) fish, and, in a final moonlit scene, cuddling beneath starry skies. Foxes, otters, and other animal parents and offspring, likewise adoring, make foreground cameos along the way in Lambert’s neatly composed paper-collage–style illustrations. Since the bears are obvious stand-ins for humans (the cub even points at things and in most views is posed on two legs), the gender ambiguity in both writing and art allow human readers some latitude in drawing personal connections, but that’s not enough to distinguish this uninspired effort among the teeming swarm of “I Love You This Much!” titles.
A particularly soppy, sloppy addition to an already-overstuffed genre. (Picture book. 3-5)Pub Date: March 1, 2016
ISBN: 978-1-68010-022-8
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
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