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POLKA DOT PARADE

A BOOK ABOUT BILL CUNNINGHAM

Beautifully rendered and told, the book brings to life the work of a gifted 20th-century artist whose creative vision will...

A picture-book tribute to fashion photographer Bill Cunningham.

From fashion and beauty journalist and children’s author Blumenthal comes a touching tale of one of New York’s most beloved and slightly eccentric fashion icons. With his signature “blue French worker’s jacket, tan pants, and black sneakers” and a camera “slung around his neck,” for decades Cunningham cycled the streets of Manhattan, seeking both the figures who made fashion and those who consumed and put it proudly on display each day. “He who seeks beauty will find it,” said Cunningham, the humble hat maker–turned-photojournalist who single-handedly created the genre of street-fashion photography, presenting the images of regular people and models together in his New York Times photo column “like squares on a story quilt.” D’yans’ scintillating watercolors, depicting Bill in action on the street or his subjects who “looked like leopards in their leopard prints, …dudes in dots and spots,” perfectly match Cunningham’s unassuming edginess with their ragged splashes of brilliant color and deft smear technique that creates a three-dimensional illusion of motion. Seasoning her spare text just so with Cunningham’s own voice (sourced in notes), Blumenthal effectively communicates her admiration for her subject.

Beautifully rendered and told, the book brings to life the work of a gifted 20th-century artist whose creative vision will always be in vogue. (author’s note, bibliography) (Picture book/biography. 4-12)

Pub Date: Aug. 28, 2018

ISBN: 978-1-4998-0664-9

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: June 1, 2018

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THE SECRET GARDEN OF GEORGE WASHINGTON CARVER

Memorable art earns this biography a respectable place on the shelf.

George Washington Carver tended a secret garden of flowers before becoming known for his skill in agriculture.

The book opens in 1921 as Carver addresses the U.S. Congress, astounding them with dozens of uses for the peanut. The narration then takes readers back to Carver’s childhood to discover how he reached that career highlight. As a child, he loved flowers, but he was warned not to waste time on plants that couldn’t be eaten or sold, so he kept his colorful garden hidden in the woods. Shut out of schools because he was black, he studied nature independently and learned through experimentation. Eventually, he started caring for neighbors’ sick plants, becoming known as “the Plant Doctor.” At 12, he left the farm on which he was raised and attained a formal education, after which he taught students at the Tuskegee Institute and farmers with a mobile classroom mounted on a wagon. This journey through Carver’s childhood and accomplishments ends with Carver’s simple but memorable words, “Regard Nature. Revere Nature. Respect Nature.” The substantial text holds readers on each spread long enough to appreciate not only the subject matter of the painted illustrations, but Morrison’s artistic techniques—strong strokes and careful dots, artful combinations of textures and shapes—which create lush forest scenes and portraitlike human faces and forms. The childhood story feels more cohesive than the final pages, which list his adult accomplishments but lack the narrative thread.

Memorable art earns this biography a respectable place on the shelf. (timeline, bibliography, further reading) (Picture book/biography. 4-9)

Pub Date: Jan. 14, 2020

ISBN: 978-0-06-243015-1

Page Count: 40

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Oct. 8, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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THE BOY WHO FAILED SHOW AND TELL

Though a bit loose around the edges, a charmer nevertheless.

Tales of a fourth grade ne’er-do-well.

It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.

Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-64723-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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