Sure, the premise is altogether improbable. But, that said, there’s good fun to be had here, even for those who might wish...
William Shakespeare, vampire hunter.
Well, not exactly. But, thanks to the magic of time travel, Harkness’ (A Discovery of Witches, 2011) latest finds witch and Oxford professor Diana Bishop and her lover, scientist and vampire Matthew Clairmont, at the tail end of Elizabethan England, when Shakespeare’s career is about to take off. There, by happenstance, they meet Christopher Marlowe, who commands an uncommonly rich amount of data about the ways of the otherworld. Asked why the odd couple should attract attention, he remarks matter-of-factly, “Because witches and wearhs are forbidden to marry,” an exchange that affords Diana, and the reader, the chance to learn a new word. Diana and Matthew talk a lot. They argue a lot, too, quibbling about the strangest things: “ ‘You are a vampire. You’re possessive. It’s who you are,’ I said flatly, approaching him in spite of his anger. ‘And I am a witch. You promised to accept me as I am—light and dark, woman and witch, my own person as well as your wife.’ ” But then they get to have extremely hot—indeed, unnaturally hot, given the cold blood of the undead—makeup sex, involving armoires and oak paneling and lifted petticoats and gripped buttocks. Meanwhile, Kit Marlowe gets to do some petticoat lifting of his own, even if his adventures lead him to a Bedlam populated by all kinds of unfortunate souls, from a few ordinary wackaloons of yore to a small army of daemons, witches, vampires and other exemplars of the damned and doomed. Will Shakespeare comes onto the scene late, but there’s good reason for that—and maybe a little fodder for the Edward de Vere conspiratorial crowd, too. Clearly Harkness has great fun with all this, and her background as a literature professor gives her plenty of room to work with, and without, an ounce of pedantry.
Sure, the premise is altogether improbable. But, that said, there’s good fun to be had here, even for those who might wish for a moratorium on books about vampires, zombies, witches and other things that go bump in the night.Pub Date: July 10, 2012
ISBN: 978-0-670-02348-6
Page Count: 592
Publisher: Viking
Review Posted Online: June 23, 2012
Kirkus Reviews Issue: July 15, 2012
For die-hard mermaid-fiction lovers only.
When a young librarian comes into possession of the diary of a traveling circus from more than 200 years ago, he decides the book may hold clues to a family mystery he needs to solve to save his sister’s life.
Narrator Simon and his younger sister, Enola, grew up in an 18th-century house on a bluff overlooking Long Island Sound. Taking after her mother, a former circus performer who drowned herself when Simon was 7, Enola travels with a carnival as a tarot card reader. Simon is still living in their dangerously dilapidated family home when, out of the blue on one June day, he receives a book from an antiquarian bookseller, who had noticed Simon's grandmother's name inside. Soon Simon discovers a frightening pattern among his female ancestors, all unnaturally good swimmers, all drowning as young women on July 24. If this “coincidence” sounds a bit far-fetched, it sets the bar for the novel’s credibility. Swyler intercuts Simon’s present drama—intensifying research into the diary’s history, loss of his job at the local library, incipient but already rocky love affair with fellow librarian Alice, return home of Enola, irretrievable collapse of the family manse—with the romantic tragedy of Amos, a traveling circus performer, and Evangeline, an aquatic performer with a guilty secret. Born in the 1780s and abandoned by his parents, Amos is mute when he joins a traveling troupe to perform a disappearing act as a “Wild Boy.” The fortuneteller takes him under her wing, teaching him to read the future. But despite her warnings, he falls for the dangerously mysterious Evangeline. She has his baby girl, and the havoc that follows leads straight to the curse that Simon, a whiny loser, is frantic to solve before someone else dies. A bit fey, even as romantic whimsy.
For die-hard mermaid-fiction lovers only.Pub Date: June 23, 2015
ISBN: 978-1-250-05480-7
Page Count: 336
Publisher: St. Martin's
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
BOOK REVIEW
BOOK REVIEW
A thoughtful and passionate depiction of one woman’s struggle to discover her truest self.
A young politician confronts affairs of state, the dark secrets of the past, considerable emotional turmoil, and the weather in this follow-up to the World Fantasy Award–winning Witchmark (2018).
The country of Aeland reels after the events of the previous volume, in which Dame Grace Hensley’s brother Miles discovered that the aether network (a magical equivalent of electricity) was being powered by the souls of the dead, the brutal war with neighboring Laneer was trumped up to grab Laneeri souls for the network, the Laneeri retaliated by possessing the returning Aelander soldiers and forcing them to murder innocents, and their father was complicit in most of it. The people are angry about the loss of aether, and they would be angrier still if they knew that many of the nobles were secret witches who thrust common witches into asylums to exploit their powers. As the country’s new Chancellor, Grace is supposed to calm the people, maintain the status quo, and mollify the Amaranthines, the faerylike psychopomps who condemn the aether network’s abuse of souls. As the Voice of the Invisibles, Grace must lead a cabal of unwilling mages to quell the worst storms that Aeland has seen in centuries. But she has no support from her scheming peers, and her imprisoned father, the former Chancellor and Voice, is clearly manipulating events behind the scenes. Grace would like to free the witches and finally be honest with Aeland’s people, but she fears it will cause mass riot. However, others are forcing her hand, including Miles’ friend Robin, a medical student and secret witch, and Avia Jessup, an astute and dangerously attractive former heiress–turned-reporter who’s nearing many explosive truths. Grace is an intriguing contrast with her brother Miles, protagonist of Witchmark, who has a much more black-and-white sense of morality. Grace was the designated heir to her father’s several types of power; and while she now despises him, freeing herself of his influence and ruthless love isn’t easy for her. She has good intentions toward the people of Aeland, but she has no idea about how the other half lives. She takes her comforts for granted even as she neglects her own desires in the service of others, exemplified by the narrative’s emphasis on the many meals she misses in the course of her duties.
A thoughtful and passionate depiction of one woman’s struggle to discover her truest self.Pub Date: Feb. 11, 2020
ISBN: 978-0-7653-9899-4
Page Count: 352
Publisher: Tor
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
BOOK REVIEW
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