The title is as wrong as it is self-congratulatory. Combining statements that range from ludicrous—“No one knows exactly what happened during the Dark Ages. We think that people no longer learned to read or write, and that is why they did not keep written records”—to merely vague or contradictory (did the Mycenaeans inhabit one city, or several? Depends on the page.) with often-indistinct paintings featuring views of generic, discreetly posed men, women and gods, this scattershot survey ranks well below the likes of Anne Pearson’s Ancient Greece (rev. ed., 2004), Kim Covert’s Ancient Greece (2004), or the plethora of similar assignment titles. (Nonfiction. 8-10)
Pub Date: July 14, 2005
ISBN: 0-7534-5871-3
Page Count: 32
Publisher: Kingfisher
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
BOOK REVIEW
PLB 0-06-027821-8 For Aliki (Marianthe’s Story, 1998, etc.), the story of the Globe Theatre is a tale of two men: Shakespeare, who made it famous, and Sam Wanamaker, the driving force behind its modern rebuilding. Decorating margins with verbal and floral garlands, Aliki creates a cascade of landscapes, crowd scenes, diminutive portraits, and sequential views, all done with her trademark warmth and delicacy of line, allowing viewers to glimpse Elizabethan life and theater, historical sites that still stand, and the raising of the new Globe near the ashes of the old. She finishes with a play list, and a generous helping of Shakespearean coinages. Though the level of information doesn’t reach that of Diane Stanley’s Bard of Avon (1992), this makes a serviceable introduction to Shakespeare’s times while creating a link between those times and the present; further tempt young readers for whom the play’s the thing with Marcia Williams’s Tales From Shakespeare (1998). (Picture book/nonfiction. 7-10)
Pub Date: May 31, 1999
ISBN: 0-06-027820-X
Page Count: 48
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1999
Leedy (Measuring Penny, 1998, etc.), so deft in making hard facts memorable and setting information into a context that makes sense to children, selects a hodge-podge of details and miscellany to convey a sense of what every state is about, as either a political entity or a place. Into lively, effulgent illustrations she plants a monotonous, forgettable list of items to distinguish every state: a map, the state flower and bird, a whiff of landscape, a glimpse of industry. There’s little about such a list—e.g., wheat, pronghorn, western meadowlark, prairie rose, Sitting Bull—to shout, in that example, “North Dakota” to children. The alphabetical listing—Alaska through Wyoming, four states a spread, with room for the US territories and Washington, D.C.—will help researchers, although it necessarily separates states that have natural geographic or historic connections, such as Vermont and New Hampshire, or West Virginia and Virginia, divided during the Civil War. Readers gain a good, first-line resource, with all the enthusiasm Leedy has made her trademark, but without much chance that they’ll adopt the excitement. (Picture book. 4-8)
Pub Date: Sept. 15, 1999
ISBN: 0-8234-1431-0
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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