A romantic suspense with a combination of eerie occurrences, an ancient relative, and horses—making for a complex and demanding narrative that both intrigues and confuses. Fleeting glimpses of a strangely tattooed man lead Wim to look and see things around her she might have otherwise missed. Seventeen-year-old Wim works for and practically lives at the stable where owners Tammy and Evelyn rely on her and share her grief for best friend Jilly. That death has made Wim turn away from new people, resisting change of all kinds. Satisfied to observe, Wim sticks with her habit of rescuing animals, including the vicious Kid, a horse no one can come near. Then three newcomers appear. A Maori academic, David, with his rebellious niece, Tangi, and Great Aunt Kia, whose befuddled senility dissipates whenever Wim is left with her. Drawn to and equally resisting each of the newcomers to her life, Wim’s budding romance with the older man, David, the possible friendship with Tangi and her obligations to Kia pull her reluctantly into life. Savage (Summer Hawk, 1999, etc.) both lulls and prepares readers for her revelations with odd plotting and emotional outbursts. At 15, Wim is wise and yet still a child. Her actions seldom make any sense but are understandable in an odd way. The connections between this old shipping family of Provincetown, Massachusetts, and the visitors from New Zealand are rooted in the Maori culture and historical facts essential to unraveling the puzzle. The climactic events are painful, but it’s clear that young Wim has reached a resolution. An unfocused but surprisingly satisfying romantic puzzler. (Fiction. YA)
Pub Date: April 29, 2002
ISBN: 0-618-04756-5
Page Count: 304
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2002
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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