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THE NINE LIVES OF PAKISTAN

DISPATCHES FROM A PRECARIOUS STATE

A dogged reporter and fluid writer offers a glimpse inside a seemingly impenetrable country, a "land of broken maps.”

Working back from when he was mysteriously expelled from Pakistan in 2013, journalist Walsh portrays the paroxysms that regularly grip this troubled country.

From 2004 to 2013, the author lived in Pakistan as a journalist for the Guardian and then the New York Times, and he witnessed numerous tumultuous changes within the country, which has been ruled by the military for a large part of its history since the Partition from India in 1947. Relations between the countries soured, and Pakistan has been mired in corruption and violence for decades—a situation at odds with its name, which means “Land of the Pure.” Pakistan was in the global spotlight during Benazir Bhutto's two terms as prime minister (1988-1990 and 1993-1996), but the nation’s "fairy tale" period devolved after lurid revelations of her family's freewheeling corruption, and she was assassinated in 2007. After 9/11, Pakistan was excoriated by the Bush administration for harboring Taliban refugees and jihadi terrorists, in particular Osama bin Laden. In search of the country's profound sense of contradiction ("the cruel, ugly and downright terrifying side of Pakistan”), Walsh diligently investigates the character of a variety of relevant individuals, including Pakistan’s founder, Muhammad Ali Jinnah, who, “fearing Hindu domination, sought to create a Muslim homeland”; a fundamentalist who directed a "Waco-style siege in the heart of sleepy Islamabad,” spouting jihadi slogans; Asma Jahangir, the “doyenne of Pakistan’s human rights movement” who met the ruling generals head-on; and businessman and liberal politician Salmaan Taseer, who was assassinated for supporting a persecuted Christian woman’s cause. Walsh also digs intriguingly into the mystery of the insurgencies that persistently plague the province of Balochistan. In 2018, an ex-spy finally revealed to the author why he was actually expelled. Some readers may wish for an epilogue or afterword that brings the story up to the present, but overall, this is a well-written, journalistically sound report.

A dogged reporter and fluid writer offers a glimpse inside a seemingly impenetrable country, a "land of broken maps.”

Pub Date: Nov. 17, 2020

ISBN: 978-0-393-24991-0

Page Count: 352

Publisher: Norton

Review Posted Online: Sept. 18, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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