A dogged reporter and fluid writer offers a glimpse inside a seemingly impenetrable country, a "land of broken maps.”
Working back from when he was mysteriously expelled from Pakistan in 2013, journalist Walsh portrays the paroxysms that regularly grip this troubled country.
From 2004 to 2013, the author lived in Pakistan as a journalist for the Guardian and then the New York Times, and he witnessed numerous tumultuous changes within the country, which has been ruled by the military for a large part of its history since the Partition from India in 1947. Relations between the countries soured, and Pakistan has been mired in corruption and violence for decades—a situation at odds with its name, which means “Land of the Pure.” Pakistan was in the global spotlight during Benazir Bhutto's two terms as prime minister (1988-1990 and 1993-1996), but the nation’s "fairy tale" period devolved after lurid revelations of her family's freewheeling corruption, and she was assassinated in 2007. After 9/11, Pakistan was excoriated by the Bush administration for harboring Taliban refugees and jihadi terrorists, in particular Osama bin Laden. In search of the country's profound sense of contradiction ("the cruel, ugly and downright terrifying side of Pakistan”), Walsh diligently investigates the character of a variety of relevant individuals, including Pakistan’s founder, Muhammad Ali Jinnah, who, “fearing Hindu domination, sought to create a Muslim homeland”; a fundamentalist who directed a "Waco-style siege in the heart of sleepy Islamabad,” spouting jihadi slogans; Asma Jahangir, the “doyenne of Pakistan’s human rights movement” who met the ruling generals head-on; and businessman and liberal politician Salmaan Taseer, who was assassinated for supporting a persecuted Christian woman’s cause. Walsh also digs intriguingly into the mystery of the insurgencies that persistently plague the province of Balochistan. In 2018, an ex-spy finally revealed to the author why he was actually expelled. Some readers may wish for an epilogue or afterword that brings the story up to the present, but overall, this is a well-written, journalistically sound report.
A dogged reporter and fluid writer offers a glimpse inside a seemingly impenetrable country, a "land of broken maps.”Pub Date: Nov. 17, 2020
ISBN: 978-0-393-24991-0
Page Count: 352
Publisher: Norton
Review Posted Online: Sept. 18, 2020
Kirkus Reviews Issue: Oct. 15, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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