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OUTSIDE

Readers will want to reread the simple but meaningful text and bask again in the glorious illustrations of this splendid...

A little boy’s imagination creates a beautiful, mysterious, snowy world outside his home.

Expressive oils on paper are equally adept at showing the snow’s softness and a little boy’s changing moods. The wraparound cover art immediately draws readers in, and the quotation from Yeats opposite the dedication sets the tone: “The world is full of magic things, / patiently waiting / for our senses to grow sharper.” The first double-page spread shows an isolated, wooden house in steadily falling snow with these words: “Outside, snow falls silently on the house.” The next two pages illustrate the sentence, “Inside, a boy has nothing to do.” When the boy goes outside, his mood begins to lift, despite his disappointment at an older brother’s refusal to join him. By the end of the boy’s time outside, an enchanting, magical world of castles and snow creatures has elevated his spirits—and will have a similar effect on readers. The palette moves through the colors of a perfect winter’s day in New England, from the blue-grays of falling snow to the golden-pink tones of sunset—ideal colors for the boy’s dragon ride—to the deeper blues of approaching evening. The double-page spread that introduces the dragon is especially enthralling.

Readers will want to reread the simple but meaningful text and bask again in the glorious illustrations of this splendid debut. (Picture book. 3-8)

Pub Date: Nov. 4, 2014

ISBN: 978-0-547-91065-9

Page Count: 40

Publisher: HMH Books

Review Posted Online: Sept. 2, 2014

Kirkus Reviews Issue: Oct. 1, 2014

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THE HALLOWEEN TREE

Just the thing for anyone with a Grinch-y tree of their own in the yard.

A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.

A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.

Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)

Pub Date: Aug. 6, 2019

ISBN: 978-1-4926-7335-4

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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