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PEDRO AND GEORGE

A wholly original romp told with deliciously Gallic flair in an uncredited translation.

Cousins Pedro and George, a crocodile and an alligator, try to correct the record on their differences in this French import.

Pedro is methodical. George is emotional. He's fed up with being called a crocodile. Pedro suggests a trip to the city to correct the foolish children who perpetuate the confusion. They pack a bag, including a comb ("of no use, of course"), and so begins a bizarre tale of discovery, all depicted in detail-packed black-and-white line drawings. The only spots of color highlight the featured creatures: green for reptiles, beige for humans. Along the way, the cousins decide that eating the children will teach them a lesson, and they try to implement their plan in Mrs. Muiche's classroom. George bites little Josephine's foot, but "pif paf bam," she puts him in a judo hold for a teachable moment. Star pupil Theodore explains that George is an alligator; the crocodile is identified by his fourth lower tooth. Although readers will take a moment to study the cartoons for the differentiation, they mostly (unlike the dutiful students) will be giggling uncontrollably. The droll storytelling and absurd action roll along to the conclusion: the reptiles go home and receive thank-you letters from Josephine for teaching them the difference between a crocodile and an…well, perhaps that is another story!

A wholly original romp told with deliciously Gallic flair in an uncredited translation. (Picture book. 5-8)

Pub Date: June 2, 2015

ISBN: 978-1-4814-2925-2

Page Count: 32

Publisher: Atheneum

Review Posted Online: March 24, 2015

Kirkus Reviews Issue: April 15, 2015

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CREEPY PAIR OF UNDERWEAR!

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...

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  • Kirkus Reviews'
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  • New York Times Bestseller

Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.

Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)

Pub Date: Aug. 22, 2017

ISBN: 978-1-4424-0298-0

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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