A picture-book portrait that’s beautiful as well as admiring.
With a jewel cutter’s precision of image and a like economy of language, Demi tells the story of the 16th U.S. president.
She succeeds particularly well at conveying the iconic stories associated with Lincoln: birth in the one-room log cabin; the early death of his mother and the arrival of a gifted and loving stepmother; the fierce self-education; the debates against his Senate opponent, Stephen Douglas, which Lincoln lost but which brought him wide attention. Almost every page or double-page spread holds a quote from Lincoln set on a small scroll, reflecting the primary narrative. The Civil War, the Emancipation Proclamation, and his assassination continue the story. Demi includes child-friendly details such as Lincoln’s love of animals and his creation of the Thanksgiving holiday while also conveying the larger sweep of history in his Gettysburg Address and the participation of thousands of African-Americans as soldiers for the Union cause. The figures look almost like porcelain miniatures, each tiny and detailed, using bits of collage and a color scheme with a great deal of red, white, and blue. While there are no footnotes, the backmatter includes a map of the United States in 1861, the full text of the Gettysburg Address, a timeline of Lincoln’s life, and further quotes.
A picture-book portrait that’s beautiful as well as admiring. (Picture book/biography. 5-10)Pub Date: Feb. 12, 2016
ISBN: 978-1-937786-50-2
Page Count: 32
Publisher: Wisdom Tales
Review Posted Online: Nov. 16, 2015
Kirkus Reviews Issue: Dec. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Weatherford and Christie dazzlingly salute African-Americans’ drive to preserve their dignity and pride.
Count down the days until Sunday, a day for slaves in New Orleans to gather together and remember their African heritage.
In rhyming couplets, Weatherford vividly describes each day of nonstop work under a “dreaded lash” until Sunday, when slaves and free blacks could assemble in Congo Square, now a part of New Orleans’ Louis Armstrong Park and on the National Register of Historic Places. Musicians “drummed ancestral roots alive” on different traditional instruments, and men and women danced. They also exchanged information and sold wares. The poetry is powerful and evocative, providing a strong and emotional window into the world of the slave. Christie’s full-bleed paintings are a moving accompaniment. His elongated figures toil in fields and in houses with bent backs under the watchful eyes of overseers with whips. Then on Sunday, they greet one another and dance with expressively charged spirits. One brilliant double-page spread portrays African masks and instruments with swirling lines of text; it is followed by another with four dancers moving beautifully—almost ethereally—on a vibrant yellow collage background. As the author notes, jazz would soon follow from the music played in Congo Square.
Weatherford and Christie dazzlingly salute African-Americans’ drive to preserve their dignity and pride. (foreword, glossary, author’s note) (Picture book. 5-9)Pub Date: Jan. 5, 2016
ISBN: 978-1-4998-0103-3
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: Oct. 13, 2015
Kirkus Reviews Issue: Nov. 1, 2015
An emotional entry point to a larger, necessary discussion on this complex and difficult subject.
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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