A charming depiction of simple pleasures.
In an illustrated poetic narrative for all ages, a charismatic hound takes stock of his domain as he romps through his daily constitutional.
The human, unnamed narrator of this waggish tale is a former Connecticut native who’s recently traveled from a city, where he has an apartment, to visit his rural home. There, he’s roused from bed in the early morning by the nuzzling muzzle and insistent barks of Bradford, “a dog / in a very plain wrapper” who lives with the narrator’s mother. Bradford bounds off, leading the narrator to the shore of Long Island Sound. Along the rambling path to the water, the dog merrily lifts his leg to leave “his John Hancock / in five hundred places,” “hoovers up smells,” and ebulliently faces off with passing cars and other dogs “at the ends of their ropes.” The good-natured Bradford is equally at home racing along the sandy shore and squeezing through the gates of a seaside mansion to roll in its lush forbidden grass. Meanwhile, his human companion finds himself transported back to his youth, marveling at the restoration of an old “haunted” house and signaling to passing truckers who reward him with a booming honk of the horn. In unpretentious verse, O’Neill offers an idyllic odyssey in which a grown-up city dweller returns to the joys of childhood with a dog as his guide. Although the book is subtitled A Bit of Doggerel, its verse is as energetic as Bradford himself, with an irregular meter and unpredictable rhyme scheme that effectively stave off monotony. The tone is light and droll, and the narrative is peppered with canny imagery, including a comparison of jumping toy poodles to “popcorn popping” and a description of Bradford after the walk, flopping down exhausted “like a drunken, first mate.” Quadland’s watercolor illustrations are beautifully detailed and perfectly evoke the bucolic setting and Bradford’s adorable persona.
A charming depiction of simple pleasures.Pub Date: N/A
ISBN: 979-8-88757-936-8
Page Count: 29
Publisher: Self
Review Posted Online: July 26, 2023
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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