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ALPHABET UNDER CONSTRUCTION

The little mouse from Fleming’s Lunch (1992) literally and alliteratively works his way through the alphabet. The emphasis is on process; rather than introducing appropriate objects for each letter of the alphabet, this cheery offering presents verbs: “Mouse airbrushes the A, / buttons the B, / carves the C, . . . ” With the exception of A and Z, which occupy double-page spreads, each letter takes up one page, the happily industrious mouse leveling, measuring, and nailing his way along. Fleming’s trademark pulp paintings glow, the brightly colored letters standing out against equally bright and uncluttered backgrounds. The text presents the letters subtly and effectively, making it a good bridge between the very beginning alphabet books and more sophisticated offerings. Most of the lettering is done in an uneven serif font reminiscent of typescript, but the letter being worked on appears in a clean sans-serif font, the lower-case exemplar at the beginning of its appropriate verb and the upper-case as the object. The cleanness of the sans-serif font nicely complements the in-process messiness of the illustrated letters. If some of the verbs stretch the concept (Mouse “judges the J” and, inevitably, “x-rays the X”), others are just plain inspired, as Mouse prunes the topiary P and then vacuums a purple V pattern on a very dirty rug. Here’s an alphabet book that’s certainly worth making room for. (Picture book. 3-6)

Pub Date: Aug. 1, 2002

ISBN: 0-8050-6848-1

Page Count: 32

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2002

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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HEY, DUCK!

A sweet, tender and charming experience to read aloud or together.

A clueless duckling tries to make a new friend.

He is confused by this peculiar-looking duck, who has a long tail, doesn’t waddle and likes to be alone. No matter how explicitly the creature denies he is a duck and announces that he is a cat, the duckling refuses to acknowledge the facts.  When this creature expresses complete lack of interest in playing puddle stomp, the little ducking goes off and plays on his own. But the cat is not without remorse for rejecting an offered friendship. Of course it all ends happily, with the two new friends enjoying each other’s company. Bramsen employs brief sentences and the simplest of rhymes to tell this slight tale. The two heroes are meticulously drawn with endearing, expressive faces and body language, and their feathers and fur appear textured and touchable. Even the detailed tree bark and grass seem three-dimensional. There are single- and double-page spreads, panels surrounded by white space and circular and oval frames, all in a variety of eye-pleasing juxtapositions. While the initial appeal is solidly visual, young readers will get the gentle message that friendship is not something to take for granted but is to be embraced with open arms—or paws and webbed feet.

A sweet, tender and charming experience to read aloud or together. (Picture book. 3-6)

Pub Date: Jan. 22, 2013

ISBN: 978-0-375-86990-7

Page Count: 40

Publisher: Random House

Review Posted Online: Nov. 13, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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