by De'Vannon Hubert ‧ RELEASE DATE: March 16, 2022
A bleak but often engrossing real-life story of an eventful and sometimes-dangerous life.
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In this debut memoir, a young man explores his sexuality and spirals into illicit drug use.
Hubert was born in 1982, and his early life in Baton Rouge, Louisiana, was a continuous struggle with poverty. Still, he was mostly happy, as he grew up with a loving mother and a doting grandmother. In 2000, when he was 17, he joined the U.S. Air Force and underwent basic training in San Antonio. Hubert, though sexually inexperienced, already knew he was gay, and so did a surprising number of his fellow recruits; the experience, he says, initially seemed like a "gay paradise." The internet afforded him the chance to have casual sex with other men, and he did so with reckless abandon. This led to his first experience with a sexually transmitted disease, which the author graphically describes in perhaps the book’s most difficult scene to read. After he left the military, Hubert later found solace in volunteer work for a Christian church. He also loved partying and wearing extravagant attire, and although he’d steered clear of drugs while in the Air Force, he soon dabbled in cocaine and methamphetamines and racked up dangerous debts. Bill collectors were trying to track him down, and a terrifying drug dealer threatened him with violence. Hubert eventually lost hope when he learned that he was HIV positive, as he considered the diagnosis a “death sentence.” He knew that he wanted to realize his dream of running his own business. But before that, he’d have to fight to stay alive, and that meant getting himself far away from drugs—both as an abuser and as a dealer.
Given the subject matter, readers will likely anticipate a somber autobiography in these pages, and indeed, it frequently is. However, the author’s consistent optimism helps to alleviate the moments of grimness. He recounts numerous explicit sexual encounters shared between willing participants who enjoyed one another. Hubert also tells of how his connection to spirituality—specifically, to God and Jesus—though often tested, served him well in his life. Over the course of this book, Hubert’s straightforward prose is occasionally sparse in style, with only nominal details about his surroundings. Still, he clearly and memorably portrays the events of his life throughout. A gig at a call center during his time in Houston, for example, took place in a rowdy “maze of cubicles,” with a stunning view of the city spoiled by the loathsome manager yelling “Get to work!” His descent into cocaine and meth abuse is suitably unnerving; he had tense encounters with cops and often seemed alarmingly oblivious to the perpetual danger surrounding him—even when one person was intent on killing him. Hubert wraps up his life story in the present day, about a decade after the bulk of the events herein. Rather oddly, though, he ends the memoir with a post-epilogue in which he tells of an apparent encounter with witchcraft as a teenager.
A bleak but often engrossing real-life story of an eventful and sometimes-dangerous life.Pub Date: March 16, 2022
ISBN: 979-8985896329
Page Count: 365
Publisher: DownUnder Media LLC
Review Posted Online: Sept. 25, 2022
Review Program: Kirkus Indie
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IndieBound Bestseller
by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Amy Tan ; illustrated by Amy Tan ‧ RELEASE DATE: April 23, 2024
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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SEEN & HEARD
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