A triumph of literary detective work and storytelling, this is a must-read for the Austen and Brontë crowd.
Buried for 200 years, the story of the indomitable Porter sisters comes to light.
Household names in their time, these forgotten Regency novelists have gained an effective champion in Jane Austen biographer and scholar Looser, who points out that Jane and Anna Maria's "real-life adventures read like funhouse-mirror versions of Austen's famous characters and plots." The author sets a tale of talent, relentless hard work, and a profound sisterly bond against grueling physical privation, financial insecurity, disappointments in love, and betrayals by family. While one sister sat scribbling at home to produce the every-other-year novels that allowed them to barely support themselves and their mother, the other would cobble together a string of houseguest opportunities with friends of the family. Their brother, Robert, was a successful historical painter and married into the Russian royal family, but he was such a spendthrift that Jane spent most of her life and much of her income dealing with his debts. Though Looser doesn’t claim that the sisters' oeuvre would interest modern readers, she argues that they pioneered the historical novel and that their achievement was pirated by their childhood friend Sir Walter Scott. Jane stewed about this for years, ultimately speaking out via a sharp parody. Anna Maria's temperament was more placid. "To be happy, not celebrated, is my aim,” she wrote to Jane, “whether I become so by making a pudding or making a Book, it is all one to me." Looser has ferreted out many wonderful lines from the vast correspondence between the sisters, which was lost to history for a century when purchased by a "literary hoard[er]" shortly after Jane's death, an act that “had the effect of shutting up the sisters' larger-than-life stories in a dusty castle, like a Gothic novel's captive heroines." From the 1950s to the ’70s, the manuscripts were exhumed, divided into lots and sold around the world. Looser puts it all together at last.
A triumph of literary detective work and storytelling, this is a must-read for the Austen and Brontë crowd.Pub Date: Oct. 25, 2022
ISBN: 978-1-63557-529-3
Page Count: 576
Publisher: Bloomsbury
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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