A quiet testament to readers who relish the beauty of language over action.
A boy draws on Arthurian legend to ease his grief in this companion verse novel to Eva of the Farm (2012).
Having recently witnessed his parents’ deaths from a drowning accident, Eckhart Lyon is sent to live with his uncle Albert, one of his few living relatives, on a trial basis. A gaming expert, the boy is certain he’ll never enjoy his strange uncle’s rural home without modern technology, but he grows to appreciate helping his uncle rebuild his orchard and hanging out with Eva, from a neighboring property. Despite these brief, comforting moments, he struggles with unrelenting guilt, feelings of cowardice and a desire to make his uncle’s house a real home. Calhoun’s precise verse (“Suddenly the stars beating down / were too bright, / the river too loud”) make Eckhart’s anguish palpable. The boy soon likens himself to Sir Gawain, who proved his worth to his uncle, King Arthur, before becoming a knight. Eckhart’s quest for home and courage is a true test, as his uncle grapples with his own grief and despair and will not commit to Eckhart’s future. A sudden tragedy allows the boy to heed the call of bravery, show his knightly spirit and forge a new family.
A quiet testament to readers who relish the beauty of language over action. (Verse novel. 9-12)Pub Date: July 9, 2013
ISBN: 978-1-4424-3985-6
Page Count: 368
Publisher: Atheneum
Review Posted Online: May 21, 2013
Kirkus Reviews Issue: June 15, 2013
Thrills galore for gamers willing to go along for the ride.
A new virtual-reality theme park goes haywire on a crowd of young victims, er, visitors in Alexander’s latest screamfest.
Having scored one of just 100 coveted preview tickets to a cutting-edge, kids-only venue dubbed ESCAPE, budding amusement park fan and designer Cody Baxter is looking forward to a life-changing experience. What he gets is more of a life-threatening one, as games and rides with names like Triassic Terror and Haunted Hillside not only pit him against a monster and then zombies—or sometimes a monster and zombies—as well as ruthless competing players, but seem tailored to play on individual personal terrors. And, in some never explained way, the VR quickly turns into real battles that inflict real wounds even as the real settings shift with sudden, dizzying unpredictability. Teaming up with loyal new friends Jayson Torn and Inga Andersdottir, the former described as being Japanese and White and the latter as Norwegian, Cody (who seems to default to White) struggles for survival, learning ultimately that ESCAPE was created by an evil genius with an ulterior motive who is convinced that he can teach children a salutary lesson. The plot’s no more logical in its twists and contrivances than the premise, but the author’s knack for spinning out nightmarish situations is definitely on display here as the tale careens toward a properly lurid outcome.
Thrills galore for gamers willing to go along for the ride. (Light horror. 9-12)Pub Date: June 7, 2022
ISBN: 978-1-338-26047-2
Page Count: 240
Publisher: Scholastic
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
Falters in its oversimplified portrayal of a complicated region and people.
Parallel storylines take readers through the lives of two young people on Sept. 11 in 2001 and 2019.
In the contemporary timeline, Reshmina is an Afghan girl living in foothills near the Pakistan border that are a battleground between the Taliban and U.S. armed forces. She is keen to improve her English while her twin brother, Pasoon, is inspired by the Taliban and wants to avenge their older sister, killed by an American bomb on her wedding day. Reshmina helps a wounded American soldier, making her village a Taliban target. In 2001, Brandon Chavez is spending the day with his father, who works at the World Trade Center’s Windows on the World restaurant. Brandon is heading to the underground mall when a plane piloted by al-Qaida hits the tower, and his father is among those killed. The two storylines develop in parallel through alternating chapters. Gratz’s deeply moving writing paints vivid images of the loss and fear of those who lived through the trauma of 9/11. However, this nuance doesn’t extend to the Afghan characters; Reshmina and Pasoon feel one-dimensional. Descriptions of the Taliban’s Afghan victims and Reshmina's gentle father notwithstanding, references to all young men eventually joining the Taliban and Pasoon's zeal for their cause counteract this messaging. Explanations for the U.S. military invasion of Afghanistan in the author’s note and in characters’ conversations too simplistically present the U.S. presence.
Falters in its oversimplified portrayal of a complicated region and people. (author’s note) (Fiction. 9-12)Pub Date: Feb. 2, 2021
ISBN: 978-1-338-24575-2
Page Count: 336
Publisher: Scholastic
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
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