Gold ingots, a corpulent white sow, polyandry, incest, miscegenation, a new time-portal and much backstory augment this...
Time-travelers revolutionize colonial America with anachronisms and cliffhangers galore, in Gabaldon’s sixth Outlander epic.
It’s 1773, and we rejoin Jamie Fraser, an exiled Scots laird, and his 20th-century physician wife Claire in the North Carolina colony where they had emigrated in Drums of Autumn (1997). Their mountain compound, Fraser’s Ridge, is shared by daughter Brianna, her husband Roger and, intermittently, by Ian, Jamie’s semi-feral nephew, a former adopted Mohawk. Brianna and Roger, also moderns, had slipped through a time portal in the Highlands. Jamie and Claire, now middle-aged, still have plenty of swash in their buckle. Roger doubts son Jem’s paternity since Brianna was raped by pirate Stephen Bonnet in a previous installment. Jamie, forced to swear fealty to the Crown, inwardly espouses the rebel cause, and not just because his relatives know who wins. Abductions and daring rescues abound. Claire is kidnapped by a band of marauding arsonists. On her return, hot flashes and non-stop medical emergencies demand her attention. Homemade penicillin, quinine and ether help her cure appendicitis, malaria and syphilis. Brianna invents matches, makes paper and almost brings hot running water to the Ridge. When Claire falls ill amid a dysentery epidemic, no one suspects her assistant Malva, abused daughter (actually niece) of Jamie’s comrade Tom Christie. Later, Malva, six months pregnant, implicates Jamie. Claire finds Malva dead, her throat slit, and attempts an emergency Caesarian. Taken prisoner, Claire becomes the colonial governor’s unpaid scribe. While Roger, called to the ministry, is away seeking ordination, Brianna is snatched by one of Jamie’s enemies, and ends up the captive, once more, of the unsinkable Bonnet.
Gold ingots, a corpulent white sow, polyandry, incest, miscegenation, a new time-portal and much backstory augment this installment’s edematous bloat.Pub Date: Sept. 27, 2005
ISBN: 0-385-32416-2
Page Count: 992
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
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One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
At Buckkeep in the Six Duchies, young Fitz, the bastard son of Prince Chivalry, is raised as a stablehand by old warrior Burrich. But when Chivalry dies without legitimate issue—murdered, it's rumored—Fitz, at the orders of King Shrewd, is brought into the palace and trained in the knightly and courtly arts. Meanwhile, secretly at night, he receives instruction from another bastard, Chade, in the assassin's craft. Now, King Shrewd's subjects are imperiled by the visits of the Red-Ship Raiders—formidable warriors who pillage the seacoasts and turn their human victims into vicious, destructive zombies. Since rehabilitating the zombies proves impossible, it's Fitz's task to go abroad covertly and kill them as quickly and humanely as possible. Shrewd orders that Fitz be taught the Skill—mental powers of telepathy and coercion possessed by all those of the royal line; his teacher is Galen, a sadistic ally of the popinjay Prince Regal, who hates Fitz all the more for his loyalty to Shrewd's other son, the stalwart soldier Verity. Galen brutalizes Fitz and, unknown to anyone, implants a mental block that prevents Fitz from using the Skill. Later, Shrewd decrees that, to cement an alliance, Verity shall wed the Princess Kettricken, heir to a remote yet rich mountain kingdom. Verity, occupied with Skillfully keeping the Red-Ship Raiders at bay, can't go to collect his bride, so Regal and Fitz are sent. Finally, Fitz must discover the depths of Regal's perfidy, recapture his true Skill, win Kettricken's heart for Verity, and help Verity defeat the Raiders. An intriguing, controlled, and remarkably assured debut, at once satisfyingly self-contained yet leaving plenty of scope for future extensions and embellishments.
Pub Date: April 17, 1995
ISBN: 0-553-37445-1
Page Count: 368
Publisher: Spectra/Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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