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THE GOLDEN HILLS OF WESTRIA

Should please Westria loyalists. Others will find it clogged with recycled Native-American folklore and beliefs, syrupy with...

After dallying with Marion Zimmer Bradley’s Ancestors of Avalon (2004), Paxson returns to her longstanding series about a post-apocalyptic/alternate-world California (The Jewel of Fire, etc.).

Red-headed Phoenix, son of King Julian, and his friend Sombra must go on their coming-of-age vision quests. Sombra, enlightened by a white dragon, becomes Luz; Phoenix meets his disgraced grandfather, Jehan, and becomes Johan. Luz heads off to study magic; Jo, unsure of his father’s affections, is kidnapped by slavers and believed dead by all save Luz, whose mental affinity tells her that Jo survives. When his owner attempts to use him sexually, Jo summons a berserk rage and kills the man; after a severe beating, he’s sold to a circus and trained as a gladiator. His personality splits, and splits again: He’s rarely Phoenix; sometimes he’s the affable slave Red; when grandfather visits, he’s Jehan; in the arena, the berserker, Dragon, commands. Meanwhile, Mother Mahalial, possessed of the sun god's powers, promises her followers the land of Westria; with her brilliant general Tadeo Marsh, her armies sweep all before them. Julian gives battle, but cannot stop the Suns, and one by one Westria’s cities fall. The Suns also capture Jo, whose strangeness delights Mahalial; he becomes her talisman, hypnotized to do her bidding (as the child personality, Fix) and to fight as her Red Dragon. Luz sets forth to find Jo; but even if she rescues him and restores his shattered mentality, how may the mighty Mother and her Suns be defeated?

Should please Westria loyalists. Others will find it clogged with recycled Native-American folklore and beliefs, syrupy with New Age folderol and seeming hundreds of pages longer than it should be.

Pub Date: Feb. 7, 2006

ISBN: 0-765-30889-4

Page Count: 352

Publisher: Tor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2006

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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