Where would juvenile fantasy be without stringed instruments? Not in Dalemark, where Clennen the singer travels with his family through a repressive South, flamboyantly performing with his ancient "cwidder" but covertly passing information to would-be freedom fighters allied with the North. Then Clennen is killed; Ms unperturbed wife goes straight to her still waiting, aristocratic former suitor (a Southerner); the children, discovering their father's other identity as a notorious spy, prefer the road; and Kialin, a young passenger their father had taken into their cart, turns out to be a Northern prince fleeing abductors. With older brother Dagner soon arrested, it's up to Moril, eleven, and his sister Brid, to sing and play their way North to Kialin's freedom and their own, and it's on that eventful trip that Moril discovers both the powers that rest in his father's cwidder and his own ability to summon them. After a bit of hasty soul searching, Moril is able to put a pursuing Southern army to sleep with his music, to rout another with the illusion of advancing Northern forces, and, for a climax, to make the very mountains move, filling a pass through the Mils with rocky debris that buries the Southern leaders for good. Don't look for import—Moril's introspection is of the most cursory sort, and the good Earl (Kialin's father) on whose largesse his Northern subjects prosper makes a fairy tale indeed of the political goings on. But for those who prefer their adventures in imaginary realms, Jones' distinct personalities, agile plotting, and unobtrusive telling will more than suffice.
Pub Date: March 9, 1977
ISBN: 0192752790
Page Count: 198
Publisher: Atheneum
Review Posted Online: April 30, 2012
Kirkus Reviews Issue: March 1, 1977
A spectacular return to a magical world.
Following the events of Impossible Creatures (2024), a devoted Guardian teams up with a brave princess to fight her power-hungry uncle and save the Archipelago’s dragons from a strange new threat.
Jacques the dragon summons Christopher Forrester back to the Archipelago from the human world: Dragons are dying, and no one knows why. Meanwhile, on the island of Dousha, Princess Anya’s grandfather, King Halam, has been murdered, and her father accused—though she knows he’s innocent. When Christopher and Anya take refuge on the islet of Glimt, the Berserker Nighthand helps them see how their twin missions to save the dragons and free Anya’s father are connected. They work together to create an antidote for the poison that’s killing the dragons and to keep Anya and her father safe from her murderous uncle. Meanwhile, Nighthand and Irian, the part-nereid ocean scholar, pursue their own important secret mission. Divided into three parts—“Castle,” “Dragons,” and “Revenge”—and containing elements of fairy tales, fantasy, and Shakespeare, this story continues the storyline established in the series opener, yet because it introduces new characters and obstacles, it could also stand alone. Dark-blond Anya (“five feet tall and all of it claws”) is a match for white-presenting Christopher, who, though he still misses Mal, finds that “it made a difference to have someone to move through the world with again. A friend changed the feel of the universe.” Mackenzie’s delicate, otherworldly art adorns the text.
A spectacular return to a magical world. (map, bestiary) (Fantasy. 10-15)Pub Date: Sept. 11, 2025
ISBN: 9780593809907
Page Count: 304
Publisher: Knopf
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
PROFILES
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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