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SATURDAY AT THE FOOD PANTRY

Name: SATURDAY AT THE FOOD PANTRY
Author: Diane O'Neill
ISBN: 978-0-8075-7236-8

by Diane O'Neill ; illustrated by Brizida Magro ‧ RELEASE DATE: Sept. 1, 2021

Eminently helpful, affirming, and necessary.

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A trip to a food pantry allows a child to both give and receive help.

While many children’s books about food pantries and soup kitchens focus on how children can help others, this story places a child in need at its center. Molly (who presents as a girl of color with light brown skin and full, wavy brown hair) and her mother (who has lighter skin and straight, dark hair) are experiencing food insecurity, as evidenced by the paltry items in the illustrations of their kitchen and Molly’s grumbling belly when she goes to bed at night. Her mother tells her that they are going to get groceries at a food pantry—a place they’ve never before visited. When they arrive, they join a line of people waiting, including Molly’s classmate Caitlin, who is embarrassed to be seen there. “Everybody needs help sometimes,” Molly’s mother has told her, and she finds Caitlin’s evident sense of shame confusing. Molly passes time by drawing pictures, an activity Caitlin joins when others in line request drawings. They come to see their art making as a way of helping others, just as the good food in the food pantry, including a treat of cookies, helps them. Magro’s naïve illustrations emphasize her racially diverse characters’ faces, expressions of concern far fewer than smiles in emphasis of the book’s theme.

Eminently helpful, affirming, and necessary. (author's note) (Picture book. 3-8)

Pub Date: Sept. 1, 2021

ISBN: 978-0-8075-7236-8

Page Count: 32

Publisher: Whitman

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

Categories:

CHILDREN'S SOCIAL THEMES

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FROM MY HEAD TO MY TOES

by Aly Raisman ; illustrated by Bea Jackson ‧ RELEASE DATE: April 2, 2024

Necessary and empowering.

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Olympic gold medalist Raisman, who in 2017 spoke out about the sexual abuse she’d endured, presents a primer on bodily autonomy.

“I am strong. I am beautiful. I am unique. I am enough.” So begin the affirmations that appear in this sensitively written book. Raisman underscores the importance of being kind to one’s body and listening to what it needs. She notes that others need to ask permission before touching our bodies; sometimes the answer will be yes, but other times, it will be no. Either is acceptable. Sometimes, someone will forget to ask or won’t respect the answer. When that happens, children can tell them to stop. If they feel unsafe, and it’s hard to say no, they can ask for help from people who make them feel safe. Our voices are just as “powerful,” “beautiful,” and “worthy” as our bodies. Emphasizing the strength inherent in every person—and making clear that we all deserve respect—Raisman has created a much-needed resource for starting a dialogue about consent. Backmatter offers tips for adults about discussing bodies and boundaries. Jackson’s expressive, pastorally soft illustrations depict people, diverse in terms of race, ability, and body type, practicing gymnastics, gardening, and playing basketball. A light-skinned girl wearing a shirt reading “Aly,” presumably a stand-in for the author, features prominently.

Necessary and empowering. (author’s note) (Picture book. 3-8)

Pub Date: April 2, 2024

ISBN: 9781250798107

Page Count: 40

Publisher: Henry Holt

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

Categories:

CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
FIERCE
by Aly Raisman with Blythe Lawrence

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IZZY GIZMO AND THE INVENTION CONVENTION

From the Izzy Gizmo series

by Pip Jones ; illustrated by Sara Ogilvie ‧ RELEASE DATE: March 1, 2020

A disappointing follow-up.

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Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).

While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.

A disappointing follow-up. (Picture book. 3-6)