A collection of whimsical children’s poetry that expertly sneaks in moments of profound reflection.
Eclectic poems by Lipschultz, Berger, and Stevenson that explore what it means to be a child.
Written by a trio of authors, these children’s poems range in subject matter from family and dreams to changing seasons and fanciful sea creatures. Some are delightfully silly (“Burnt up paper / to dance and caper: / That’s a fun party / till I bring / the paper scraper”), while others have a more melancholic feel (“‘If you want to live forever and more,’ / said the diamond to the fern, / ‘don’t follow in my footsteps. / Steer clear of coal and time’”). Each poem, signed by its respective author, is accompanied by Stevenson’s fanciful illustrations, most of which are simple black-and white drawings that reflect the poems’ subject matter, punctuated by bright boxy shapes in various hues that dot the page. The authors have created a delightfully fun introduction to poetry for children. While some pieces may read as a bit repetitive, the majority contain emotional nuggets that change meaning depending on one’s life stage (“There really aren’t monsters / anywhere in the house / but sometimes at night / there are”). These small moments of contemplation elevate the book, making for a compilation that’s both joyful and thoughtful. The book includes a sticker sheet and space for readers to write their own poems.
A collection of whimsical children’s poetry that expertly sneaks in moments of profound reflection.Pub Date: Nov. 18, 2025
ISBN: 9798991223430
Page Count: 56
Publisher: Artvoices Books
Review Posted Online: Jan. 8, 2026
Review Program: Kirkus Indie
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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