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NO LIFE BUT THIS

A NOVEL OF EMILY WARREN ROEBLING

A sensitive and comprehensive exploration of an exceptional historical figure.

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Poet Ferri offers a historical novel about the life of real-life Victorian engineer and women’s rights activist Emily Warren Roebling.

After the sudden death of chief engineer John A. Roebling in the summer of 1869, the ambitious construction of the Brooklyn Bridge fell to his son, Washington. However, only a year later, the younger man would be incapacitated by caisson disease, leaving him physically unable to oversee the project in person. As a result, Washington’s wife, Emily, rose to fame as a devoted defender of the bridge and a skilled engineer in her own right, acting as liaison for her husband and handling daily supervision of the project. In this decade-spanning novel the author delves into a tumultuous period of American history as well as the mind and heart of her narrator. Ferri focuses on Emily’s internal life as she navigates the expectations placed on her as a wife and mother as well as intense public scrutiny over the bridge. She also bears witness to the inequities of women throughout American society, observing abuses as well as the disproportionate favor that’s placed on those in positions of privilege. Throughout the novel, Emily is beset by bitter discontentment over legal and social constraints, but she persistently reinvents herself and becomes a vocal advocate for women’s rights. Some sections involving invented characters or events can feel saccharine or overly convenient, but Ferri’s prose does a marvelous job of highlighting her protagonist’s exceptional mind and the restrictions she faced. Emily is shown to be loving, compassionate, insensitive, and bullish, by turns, resulting in a well-rounded and empathetic portrait of a woman whose ambition was greater than any single life could hold.

A sensitive and comprehensive exploration of an exceptional historical figure.

Pub Date: Dec. 10, 2020

ISBN: 978-1-62613-300-6

Page Count: 415

Publisher: ATBOSH Media Ltd.

Review Posted Online: Feb. 25, 2021

Kirkus Reviews Issue: May 1, 2021

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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