by Dianna Hutts Aston & illustrated by Sylvia Long ‧ RELEASE DATE: April 1, 2006
A delight for budding naturalists of all stripes, flecks, dots and textures.
Worthy successor to Ruth Heller’s Chickens Aren’t The Only Ones (1981), this engrossing album pairs images of dozens of precisely detailed eggs and their diverse wild parents to basic facts presented in neatly hand-lettered lines.
Nearly all depicted actual size (and those that aren’t, are consistently so labeled), Long’s eggs look real enough to pick up, whether placed in natural settings or suspended on white pages. All, whether from birds, insects, reptiles, fish or amphibians, are not only identified, but Aston adds both topical phrases—“Eggs come in different sizes”—to each spread and, usually, memorably presented additional facts: “An ostrich egg can weigh as much as 8 pounds. It’s so big and so round, it takes two hands to hold one egg.”
A delight for budding naturalists of all stripes, flecks, dots and textures. (Picture book/nonfiction. 6-9)Pub Date: April 1, 2006
ISBN: 0-8118-4428-5
Page Count: 36
Publisher: Chronicle Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Dianna Hutts Aston ; illustrated by Sylvia Long
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adapted by Sylvia Long & illustrated by Sylvia Long
by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Feb. 3, 2026
Disconcerting and possibly deadly dealings are afoot; certain to charm younger fans of the macabre.
In the latest installment of the delightfully disturbing chapter-book series, the mundane once more takes on supernatural qualities, this time in the form of veggies.
With this follow-up to Troubling Tonsils! (2025), our host, Jasper Rabbit, once more channels Twilight Zone creator Rod Serling. As Jasper narrates, we meet our heroes: fourth graders Thaddeus Badger and Oliver Possum, who love nothing more than eating junk food, particularly the hamburgers at Hurt-A-Burger (a mildly brilliant corporate name on the author’s part). When Oliver’s parents trick the two into a dinner of salads at their favorite fast-food joint, Thaddeus feels betrayed, but Oliver experiences something a little more dire. Soon after, Oliver starts acting strangely, and his parents begin behaving even more oddly. What’s going on? And does it have anything to do with the full moon? Tone is the true star of the show in this series; the mystery unspools thanks to the buildup of unnerving moments. Reynolds combines suspense with a keen ability to artistically frame both sunny innocent sequences and those rich with dark foreboding. Notably, this is no morality tale about eating your vegetables—this tale is fully on the side of its child readers. Brown’s black-and-white images, punctuated with eerie pops of green, heighten both horrifying and comedic moments.
Disconcerting and possibly deadly dealings are afoot; certain to charm younger fans of the macabre. (Chapter book. 6-9)Pub Date: Feb. 3, 2026
ISBN: 9781665961110
Page Count: 96
Publisher: Simon & Schuster
Review Posted Online: Oct. 25, 2025
Kirkus Reviews Issue: Dec. 1, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Cam Kendell
by Kwame Alexander & illustrated by Tim Bowers ‧ RELEASE DATE: Sept. 1, 2011
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by Kwame Alexander ; illustrated by Kitt Thomas
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by Kwame Alexander & Jerry Craft ; illustrated by Jerry Craft
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by Kwame Alexander ; illustrated by Charly Palmer
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