The author of Babe, the Gallant Pig (1985) offers another winner with this tale of a bright pig and her canny young keeper “training” a spoiled princess. When Princess Penelope demands a pig for her eighth birthday, her over-indulgent father requires every pig keeper in the country to assemble with a likely porcine candidate. The princess settles on Lollipop, who turns out to be the sole possession of penniless orphan Johnny Skinner. As only Johnny can get Lollipop to sit, roll over, or poop outdoors, soon lad and pig are comfortably ensconced together in a royal stall—at least until the pig can be persuaded to respond to the Princess’s commands. It’s only the beginning of a meteoric rise for Johnny, and for Lollipop too, as the two conspire to teach the princess civilized manners, and end up great favorites of the entire royal family. Barton (Rattletrap Car, p. 504, etc.) captures Penelope’s fuming, bratty character perfectly in a generous array of line drawings, and gives Lollipop an expression of affectionate amusement that will win over readers as effortlessly as it wins over the princess and her parents. Move over, Wilbur. (Fiction. 8-10)
Pub Date: June 1, 2001
ISBN: 0-7636-1269-3
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2001
Mollel (Kitoto the Mighty, 1998, etc.) skillfully reshapes this African tale about a magical bird that defeats a cow-stealing monster. Mariamu’s family can’t understand why their cattle are disappearing. One day, when clearing a field to grow food, Mariamu hears a magical bird singing. The bird tells her if she will spare the land (and the bird’s eggs), the bird will help restore milk to Mariamu’s family. Mariamu agrees, and the magical bird brings back the original field, and fills all the jugs and gourds with milk. Then Mariamu’s parents get greedy, capturing the bird while visions of an endless milk supply dance in their heads. Mariamu, of course, rescues the bird, and it is so grateful that it leads the girl to the monster who has stolen all the cows; together they rescue the cattle. Mollel includes words in Swahili and some excellent sound effects: “birim” for the sound of empty gourds rolling, “gulum” for the sound of swallowing. This fleshing out of the old tale and Litzinger’s spry, expressive watercolors make a vibrant presentation, ideal for noisy story-hour reenactment. (Picture book/folklore. 5-8)
Pub Date: Feb. 22, 1999
ISBN: 0-395-82908-9
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
A weak story that has echoes of familiar folktales, but no resonance. A selfish crocodile who lived “deep in the forest” commands all the other animals to stay away from the river, which he considers his. “I’ll eat you up!” he warns. The animals have to walk “for miles out of their way” to find drinking water. One day the crocodile has a toothache, and when the others are too frightened to get close, a mouse pulls the tooth and promises to help him in the future. Consequently, the crocodile invites all the creatures to enjoy the river, although the connection between having a friend and declaring open house is left vague. The illustrations have a greeting-card charm, with 13 animals trudging off for water bearing the same pop-eyed, frowning expression. When the crocodile groans in pain, the animals don’t look toward the source of sound, but up in the air at the words “GROAN . . . GROAN.” (Picture book. 3-7)
Pub Date: Feb. 1, 1999
ISBN: 1-888444-56-8
Page Count: 28
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
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