Ridiculous red-baiting, intellectually on the Coulter—not the Buckley—plane.
“In order to crush the Islamic radicals abroad, we must defeat the enemy at home.”
Wasn’t it Jerry Falwell who proclaimed that the gays and lefties were responsible for the terrorist events of 9/11, God having vented righteous wrath against the decadent? Rightist ideologue-for-hire D’Souza (Letters to a Young Conservative, 2002, etc.), a denizen of the ivory-tower Hoover Institution, picks up where Falwell left off, and though he takes pains to distance himself from the Falwellian message, as did so many other Republicans in public, he unswervingly voices the master’s themes. The “cultural left” is responsible for fostering decadence—after all, doesn’t it protect pornography under the disguise of free speech and get all worked up about naked abuses of imperial power? Decadent liberal culture “angers and repulses traditional societies” such as might be found in Saudi Arabia and Dallas. By questioning the Bush administration, which has America’s best interests at heart, the lefties are egging on bin Laden and company, which amounts to treason. D’Souza helpfully provides an enemies list, numbering such figures as Nancy Pelosi and Bill Moyers and of course Michael Moore, who are of course more dangerous than anything al-Qaeda might field. But to get to that list, the careful reader will have waded through a curious defense of Wahhabism (it’s just Islamic conservatism), witnessed D’Souza’s brave scolding of the Bush administration (it’s bad to try to democratize the Middle East, since the unwashed might well vote for Osama and Saddam), seen that Planned Parenthood is the source of much evil in the modern world inasmuch as it scorns “efforts to teach sexual modesty and ‘abstinence’ to young people” and understood that the Islamists are just upset by America’s “missionary paganism” as part of the liberals’ plot to undermine God. “We know who the domestic insurgents are,” D’Souza warns, trying to sound ominous, “and we know who is sheltering and supporting them.” Yes, indeed. Hillary, meet Hussein, whose collective fault it all is. As for the rest of the liberals, well, chadors and hellfire await.
Ridiculous red-baiting, intellectually on the Coulter—not the Buckley—plane.Pub Date: Jan. 16, 2007
ISBN: 0-385-51012-8
Page Count: 304
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2006
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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