A first collection that hints at bigger things to come.
An expansive collection of stories chronicling the Jamaican diaspora.
In this assured collection, Canadian writer Irving follows the threads of colonialism, exile, and immigration throughout the 20th and 21st centuries. “Canal” connects Jamaica, Panama, postwar Germany, and Canada through the figure of a girl forced to flee as a result of American intervention. In “The Gifts,” the book’s moving penultimate installment, a young woman named Peaches moves to “Foreign” (England) to find work and winds up serving as both maid and mistress in the same family. Irving’s writing is most effective when she homes in on a smaller domestic scene—for instance, the mismatched married couple in “The Cape” is divided by age and a sudden injury—but the international range and scope of her collection give it breadth and freshness. Despite the book's wide range of locales, Irving's writing of place always feels assured. Her prose is smooth and unfussy despite occasional clunky sentences (“When he gets home she will be broken. Not by him, but in spite of him”). Although the collection is enjoyable, Irving’s construction of narrative can sometimes feel predictable: In several stories, characters are first presented one way—racist hicks; an earnest but clueless White mother; a long-lost parent—only for Irving to introduce a shift in perspective that encourages the reader not to judge so hastily. But a careful reader (or a frequent reader of short story collections) will soon become familiar with this convention, and instead of leading to a feeling of real enlightenment, the stories will feel tired. Irving is at her best in odd, harsh moments: a gruesome fireworks injury in “The Cape”; an estranged father stealing a pig for his daughter in “Weaving.”
A first collection that hints at bigger things to come.Pub Date: Nov. 1, 2022
ISBN: 978-1646220663
Page Count: 272
Publisher: Catapult
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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