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AFRICA IS NOT A COUNTRY

NOTES ON A BRIGHT CONTINENT

A well-researched, cleareyed deconstruction of highly flawed conventional wisdom about Africa.

A trenchant study demolishes stereotypes about Africans as a product of colonial history.

Faloyin—a senior editor at VICE who was born in Chicago and raised in Lagos until age 10, when he moved to the U.K.—opens his stern and vibrant narrative with the secret 1884 “Scramble for Africa” meeting in Berlin by European powers. “In an attempt to avoid all-out war over who got to wage war on Africa,” writes the author, “the mighty colonialists decided to meet and hash it all out, to come to a communal understanding as to how they could perfectly calculate their siege.” While many nations had already embarked on expeditions into the continent to seize natural resources and quell Indigenous uprisings, by the beginning of World War I, “90 per cent of Africa would be controlled by Europe.” The establishment of arbitrary borders often divided ethnic groups, some of whom later went to war with each other. Throughout the book, Faloyin diligently chronicles the inherited tropes that many in the West harbor about African nations. “The narrative,” he writes, “suggests there is something fundamentally ungovernable about this place and its people; something extremely uncivilized about their unhealthy relationship with power.” This “silent bigotry” involves the concept of White savior syndrome—yet another form of paternalism—as evinced by the Invisible Children project in Uganda and such celebrity charity campaigns as We Are the World and Live Aid. The author examines a series of dictatorships that resulted from colonial systems of divide and rule and forcefully calls out glaring cultural stereotypes about Africans in popular culture. He also addresses the alarming fact that “90 per cent of Africa’s material cultural legacy is being kept outside of the continent.” Faloyin weaves in his personal story as a Nigerian, using the making of Jollof rice as a unifying theme, and ends the book with forward-looking ways that African countries are managing gender and sexual violence, climate change, and other pressing matters.

A well-researched, cleareyed deconstruction of highly flawed conventional wisdom about Africa.

Pub Date: Sept. 6, 2022

ISBN: 978-0-393-88153-0

Page Count: 400

Publisher: Norton

Review Posted Online: July 8, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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GHOSTS OF HIROSHIMA

This is not an easy account to read, but it is important enough not to be forgotten.

A story of ordinary people, both victims and survivors, thrown into extraordinary history.

Pellegrino says his book is “simply the story of what happened to people and objects under the atomic bombs, and it is dedicated to the hope that no one will ever witness this, or die this way, again.” Images of Aug. 6, 1945, as reported by survivors, include the sight of a cart falling from the sky with the hindquarters of the horse pulling it still attached; a young boy who put his hands over his eyes as the bomb hit—and “saw the bones of his fingers shining through shut eyelids, just like an X-ray photograph”; “statue people” flash-fossilized and fixed in place, covered in a light snowfall of ashes; and, of course, the ghosts—people severely flash-burned on one side of their bodies, leaving shadows on a wall, the side of a building, or whatever stood nearby. The carnage continued for days, weeks, and years as victims of burns and those who developed various forms of cancer succumbed to their injuries: “People would continue to die in ways that people never imagined people could die.” Scattered in these survivor stories is another set of stories from those involved in the development and deployment of the only two atomic weapons ever used in warfare. The author also tells of the letter from Albert Einstein and Leo Szilard to Franklin D. Roosevelt that started the ball rolling toward the formation of the Manhattan Project and the crew conversations on the Enola Gay and the Bockscar, the planes that dropped the Little Boy on Hiroshima and the Fat Man on Nagasaki. We have to find a way to get along, one crew member said, “because we now have the wherewithal to destroy everything.”

This is not an easy account to read, but it is important enough not to be forgotten.

Pub Date: Aug. 5, 2025

ISBN: 9798228309890

Page Count: 314

Publisher: Blackstone

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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