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AFRICA IS NOT A COUNTRY

NOTES ON A BRIGHT CONTINENT

A well-researched, cleareyed deconstruction of highly flawed conventional wisdom about Africa.

A trenchant study demolishes stereotypes about Africans as a product of colonial history.

Faloyin—a senior editor at VICE who was born in Chicago and raised in Lagos until age 10, when he moved to the U.K.—opens his stern and vibrant narrative with the secret 1884 “Scramble for Africa” meeting in Berlin by European powers. “In an attempt to avoid all-out war over who got to wage war on Africa,” writes the author, “the mighty colonialists decided to meet and hash it all out, to come to a communal understanding as to how they could perfectly calculate their siege.” While many nations had already embarked on expeditions into the continent to seize natural resources and quell Indigenous uprisings, by the beginning of World War I, “90 per cent of Africa would be controlled by Europe.” The establishment of arbitrary borders often divided ethnic groups, some of whom later went to war with each other. Throughout the book, Faloyin diligently chronicles the inherited tropes that many in the West harbor about African nations. “The narrative,” he writes, “suggests there is something fundamentally ungovernable about this place and its people; something extremely uncivilized about their unhealthy relationship with power.” This “silent bigotry” involves the concept of White savior syndrome—yet another form of paternalism—as evinced by the Invisible Children project in Uganda and such celebrity charity campaigns as We Are the World and Live Aid. The author examines a series of dictatorships that resulted from colonial systems of divide and rule and forcefully calls out glaring cultural stereotypes about Africans in popular culture. He also addresses the alarming fact that “90 per cent of Africa’s material cultural legacy is being kept outside of the continent.” Faloyin weaves in his personal story as a Nigerian, using the making of Jollof rice as a unifying theme, and ends the book with forward-looking ways that African countries are managing gender and sexual violence, climate change, and other pressing matters.

A well-researched, cleareyed deconstruction of highly flawed conventional wisdom about Africa.

Pub Date: Sept. 6, 2022

ISBN: 978-0-393-88153-0

Page Count: 400

Publisher: Norton

Review Posted Online: July 8, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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UNFETTERED

For fans only.

The hoodie-and-shorts-clad Pennsylvania senator blends the political and personal, and often not nicely.

Fetterman’s memoir addresses three major themes. The first—and the one he leads with—is depression and mental illness, which, combined with a stroke and heart trouble, brought him to a standstill and led him to contemplate suicide. The second is his rise to national-level politics from a Rust Belt town; as he writes, he’s carved a path as a contentious player with a populist streak and a dislike for elites. There are affecting moments in his personal reminiscences, especially when he writes of the lives of his working-class neighbors in impoverished southwestern Pennsylvania, its once-prosperous Monongahela River Valley “the most heartbreaking drive in the United States.” It’s the third element that’s problematic, and that’s his in-the-trenches account of daily politics. One frequent complaint is the media, as when he writes of one incident, “I am not the first public figure to get fucked by a reporter, and I won’t be the last. What was eye-opening was the window it gave into how people with disabilities navigate a world that doesn’t give a shit.” He reserves special disdain for his Senate race opponent Mehmet Oz, about whom he wonders, “If I had run against any other candidate…would I have lost? He got beaten by a guy recovering from a stroke.” Perhaps so, and Democratic stalwarts will likely be dismayed at his apparent warmish feelings for Donald Trump and dislike of his own party’s “performative protests.” If Fetterman’s book convinces a troubled soul to seek help, it will have done some good, but it’s hard to imagine that it will make much of an impression in the self-help literature. One wonders, meanwhile, at sentiments such as this: “If men are forced to choose between picking their party or keeping their balls, most men are going to choose their balls.”

For fans only.

Pub Date: Nov. 11, 2025

ISBN: 9780593799826

Page Count: 240

Publisher: Crown

Review Posted Online: Nov. 17, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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