A gentle, positive story set in a world far less scary than that of Pixar’s Nemo.
Shy Octopus flees the sea horses who dance into her cozy cave, but the deeper ocean is lonely and a little scary, so she returns to her friends in the lively reef.
Srinivasan follows her debut, Little Owl’s Night (2011), with a similarly striking rendition of the marine world in this no-place-like-home tale. Her story opens with a cast of characters, reef inhabitants, that are identified on the end papers. Readers will be able to point them out as Octopus makes the traditional picture-book journey on pages whose backgrounds range from varying shades of blue and green to the near-black of the ocean depths. With frames, full-page and double-page spreads and even a fold-out starring a whale, the artist varies her images to add interest and show the passage of time. In spite of eyelashes that defy the usual understanding of the differences between mammals and cephalopods and the anthropomorphic plot, this sweet story is relatively accurate in its depiction of octopus behavior and reef ecology. The octopus changes color to blend into her environment several times, squirts ink to hide and escape, and lurks in caves. There are predators and prey, but, appropriately for the intended audience, no one gets eaten.
A gentle, positive story set in a world far less scary than that of Pixar’s Nemo. (Picture book. 3-7)Pub Date: May 16, 2013
ISBN: 978-0-670-78515-5
Page Count: 40
Publisher: Viking
Review Posted Online: March 16, 2013
Kirkus Reviews Issue: April 1, 2013
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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