A moving exploration of the profound costs of trying to be a good person.
In this novel, a teenage boy fails to stop a rape committed by a high school football star and becomes locked within the legal and moral drama that ensues.
In 1963, Danny Prescott is an ordinary 16-year-old boy in Banning, Iowa, who is unaccustomed to being noticed by the likes of Brent Arrington, a star high school football player and the “closest thing Banning had to a celebrity.” So Danny, who is also on the football team, is surprised when Brent asks him for a ride to the home of Loretta Tinsley, a 13-year-old girl in junior high. While there, Brent and Loretta disappear into a hay loft, where Brent rapes her and casually emerges unperturbed by her anguished cries, grotesquely satisfied by his conquest. Danny does nothing to help her and even gives Brent a ride back to town. Danny quickly becomes emotionally overwhelmed by his cowardly inaction, which finally leaves him “shimmering with shame and humiliation,” an ignominy sensitively depicted by Whipple. Loretta presses charges, and Brent is arrested for rape while Danny is considered an accessory to the assault. Danny desperately wants to atone for his part in Loretta’s agony, especially after she attempts suicide, and tells the truth about what he saw. He even pines to testify against Brent. But Danny becomes the town pariah—some hate him because he won’t defend Brent, who makes a state football championship possible, and others because they see him as the star athlete’s accomplice. The school’s principal, Mr. Larson, tries to expel Danny, and local mothers take up a petition to remove him from school. Coach Esker discourages Danny from continuing to play football, and many of his teammates, Brent’s “loyalists,” shun him. Even worse, Brent assaults him brutally and threatens to kill him if he doesn’t keep his mouth shut.
Whipple’s moral drama is layered with complexity—the Prescotts have a long and fraught relationship with the Arringtons. This is especially impressive given the ordinariness of this town—Danny calls it a “grease spot on an Iowa map”—which serves as a perfect stage for the story, a small place that gives birth to big sins. At the heart of the novel is a delicately portrayed maturation of Danny—this unassuming virgin who longs to escape the aching provinciality of his life is compelled to grow up fast and ask himself hard questions about what it means to be a man. Whipple’s writing is generally poetically unembellished, but its plainness is the source of its gathering power, and it brings into sharp relief the averageness of those who participate in this moral contest. Here, Loretta’s father, Evert, confronts Danny regarding his responsibility for her rape: “Why didn’t you help my little girl? They say you’re a good kid. Why didn’t you help her when she cried out?…Why would someone she considered a friend…bring a monster to our farm?” This is an absorbing look into the ways even the most ordinary human beings can suddenly become key players in a terrible drama.
A moving exploration of the profound costs of trying to be a good person.Pub Date: Feb. 20, 2025
ISBN: 9798218534776
Page Count: 318
Publisher: Whipple Prestige Publishing
Review Posted Online: Dec. 16, 2024
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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