An easy read for those with a soft spot for the hopelessly doomed romantic.
A struggling 35-year-old British comedian navigates a breakup with his long-term girlfriend.
With unmissable echoes of Nick Hornby’s High Fidelity, Alderton examines Andy Dawson’s excruciating inability to accept the fact that Jen Hammersmith no longer wants to be with him, which leads to various self-destructive behaviors—drinking before noon, cyber-stalking Jen, and embarking on a morally dubious sexual relationship with a woman in her early 20s. Andy is a man who suffers simultaneously from an enormous ego, poor self-confidence, and little self-awareness—character traits that combine to produce mortifying moments. His relationship with Avi, his long-suffering best friend, brilliantly captures the stereotypical male reluctance to express platonic love and to retreat to the pub in times of need. Andy’s mum—a single mother who isn’t keen on displays of emotion but will readily offer up a medicinal whiskey—deserves more airtime. Pep talks from a more successful comedian friend and an overzealous personal trainer provide a respite from the monotony of Andy’s misery, which begins to bore his closest friends and the reader alike. Echoing her earlier novels, Alderton examines how bewildering it can be for single people to find themselves alone in a crowd of married friends who suddenly have more pressing commitments than another pint of lager. But save for a couple of quips about Boris Johnson and the wealth disparity between Andy and Jen, the novel lacks any meaningful social commentary. The way the book makes a late switch to Jen’s perspective might remind readers of Lauren Groff’s Fates and Furies, but Alderton lacks Groff’s mastery and Jen’s point of view is dull. While the book is hardly original, it displays a quintessentially British sense of humor (ironic, self-effacing, coarse), and Alderton has a talent for depicting love, flaws and all.
An easy read for those with a soft spot for the hopelessly doomed romantic.Pub Date: Jan. 30, 2024
ISBN: 9780593801307
Page Count: 336
Publisher: Knopf
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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