Powerful reflections on the condition of a group that many are coming to regard as an endangered species: the African-American male. Faced with crime, poverty, and a seemingly invincible racist ethos, black American men have more than enough challenges to meet. It is hard enough to be human, suggest the contributors to this fine anthology, edited by journalist and novelist Belton (Almost Midnight, 1986), but that is just the beginning of their struggle. Belton finds cause for concern not only in the rising tide of urban violence and despair, but also in Pat Buchanan's declaration of cultural war at the 1992 Republican National Convention, while August Wilson observes in his foreword that ``black men are a commodity of flesh and muscle which has lost its value in the marketplace. We are left over from history.'' The men who offer their thoughts in these pages are, we hope, anything but historical jetsam, and they have much to say. Trey Ellis denounces stereotypes that have come to be accepted even within African-American society: ``If we string two sentences together, other black folks say, `Oh my, how well-spoken he is.' If we are married to the mothers of our children, Delores Williams, a black activist in Los Angeles, hands us a certificate and invites us to an awards banquet. So little is expected of us that even our half-efforts are wildly and inappropriately praised.'' Robin D.G. Kelley, a self-professed ``nice Negro,'' writes with pointed humor of having shaved his head after botching a self-trim and being immediately cast as a gangster by his liberal white neighbors, who otherwise pester him with intrusive questions about what it means to be black. David Nicholson reflects on myths of black machismo and violence, while in the most alarming and affecting piece, Bruce Morrow writes about discovering that his stepfather of three decades had become a crack addict. (For more on contemporary black men, see Darrell Dawsey, Living to Tell About It, p. TKTK.) An outstanding, urgent book.
Pub Date: Jan. 15, 1996
ISBN: 0-8070-0936-9
Page Count: 288
Publisher: Beacon Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1995
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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