Weighty, unflinchingly honest writing that sometimes takes an unfortunate discriminatory tone.
McCormick’s keenly observed if unsettling debut poetry collection reflects on death and illness.
“Who wants to hear how mellow you feel, / and who wants to write about it?” asks McCormick in a poem entitled “Mellowed Out.” The collection, written over the last three and a half decades, has few moments of levity; the poet, instead, steels himself to face the darker aspects of human existence. The foreboding opening poem, “Great Decisions,” approaches the failings of humankind—particularly those of governments—and underlines a necessity to change or perish: “The air we breathe is turning us gray. / We must decide if we will stay.” “The Ending” has a significantly more intimate tone in its examination of a relationship breakdown: “It’s like I said hello, / and you were dead, / and you never heard what I said.” McCormick’s focus continues in this manner, zooming in to explore personal relationships—an elegy for a friend dying of AIDS or a prose poem in the form of a spiky “Conversation Between Spouses”—before drawing out to address universal questions such as the pursuit of success, midlife crisis, and the absence of God. McCormick’s writing is frank and uncompromising. In the deliciously cynical poem, “Getting Old,” he observes: “You see a new beauty in nature. / You hear peace and quiet. / The reasons are your vision has blurred / and your hearing has failed.” He possesses the rare ability to capture emotions and sensations effortlessly. “Holding On” pinpoints the shifting state of depression: “In the best of times, the cold, broad sword of / boredom lies across my chest and makes me afraid to move.” McCormick’s approach toward race, however, is disconcerting. In the poem “Chinese People,” for example, the narrator says, “I can’t decide whether they have short legs or long bodies.” The poem unsatisfactorily tries to make amends by asking “Imagine if I were looking through their eyes.” Similarly, New York City is declared as the “Brownest damned place I’ve ever seen,” and McCormick suggests that a “Klanner would be freaked-out there. / A dedicated member would have to wear two hoods.”
Weighty, unflinchingly honest writing that sometimes takes an unfortunate discriminatory tone.Pub Date: N/A
ISBN: N/A
Page Count: 364
Publisher: Manuscript
Review Posted Online: Oct. 27, 2020
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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