A relatable, timely analysis of pornography’s history and its effect on the mindset of the gay community.
A New York writer and sex therapist’s treatise on pornography and gay men portrays the genre as a double-edged sword.
Long before the days of internet porn and smartphone hookup apps, Times Square grind houses were teeming with adult films that catered to the curious, the horny, and the ubiquitous men in old raincoats. To Shewey (Sam Shepard, 1997, etc.), the 1970s gay porn films helped the audience connect with their erotic selves and filled a void in representation, showing a fledgling gay audience “a world where everyone is enthusiastically, unapologetically gay.” As porn theaters gave way to home video, and the classified ads gave way to online dating, people’s mindsets changed along with the innovations in technology. Solitary and repetitive home viewing of porn began weakening relationships while the impossible male porn standards of everlasting strength and massive endowment were altering ideas of what was normal. As a sex therapist, Shewey is able to recount many complaints from people who grapple with feelings of inadequacy and performance problems, and he writes about how pornographic images have exacerbated his clients’ unrealistic expectations. Though he is clearly a lifelong fan of adult films and credits them with teaching him and others a great deal, he also blames porn for “liberating some inhibitions but installing others in their place, enslaving us to libidinal impulses at the expense of our health and mental well-being.” He concludes with results from a study he conducted that included 50 men who were interviewed about their habits and feelings about porn. The author’s effort to dive into the gay male psyche effectively touches on many significant topics, including the challenge of enjoying sex in times of great fear and calamity, such as during the height of the AIDS epidemic. Gay community history is skillfully told here, especially as it relates to the erotic side of things, and his warnings about subscribing to porn norms in everyday life sound important in an era of muscle clones and smartphone app players. Stories from his clients are told somewhat rapid-fire, but the intent is to remind people they aren’t alone in their struggles and that intimacy can be rediscovered. There are many intriguing excerpts from other writers, including heavyweights in and outside of the gay community.
A relatable, timely analysis of pornography’s history and its effect on the mindset of the gay community.Pub Date: N/A
ISBN: 978-1-73213-440-9
Page Count: 226
Publisher: Joybody Books
Review Posted Online: Aug. 2, 2018
Kirkus Reviews Issue: Sept. 15, 2018
Review Program: Kirkus Indie
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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