A relatable, timely analysis of pornography’s history and its effect on the mindset of the gay community.
A New York writer and sex therapist’s treatise on pornography and gay men portrays the genre as a double-edged sword.
Long before the days of internet porn and smartphone hookup apps, Times Square grind houses were teeming with adult films that catered to the curious, the horny, and the ubiquitous men in old raincoats. To Shewey (Sam Shepard, 1997, etc.), the 1970s gay porn films helped the audience connect with their erotic selves and filled a void in representation, showing a fledgling gay audience “a world where everyone is enthusiastically, unapologetically gay.” As porn theaters gave way to home video, and the classified ads gave way to online dating, people’s mindsets changed along with the innovations in technology. Solitary and repetitive home viewing of porn began weakening relationships while the impossible male porn standards of everlasting strength and massive endowment were altering ideas of what was normal. As a sex therapist, Shewey is able to recount many complaints from people who grapple with feelings of inadequacy and performance problems, and he writes about how pornographic images have exacerbated his clients’ unrealistic expectations. Though he is clearly a lifelong fan of adult films and credits them with teaching him and others a great deal, he also blames porn for “liberating some inhibitions but installing others in their place, enslaving us to libidinal impulses at the expense of our health and mental well-being.” He concludes with results from a study he conducted that included 50 men who were interviewed about their habits and feelings about porn. The author’s effort to dive into the gay male psyche effectively touches on many significant topics, including the challenge of enjoying sex in times of great fear and calamity, such as during the height of the AIDS epidemic. Gay community history is skillfully told here, especially as it relates to the erotic side of things, and his warnings about subscribing to porn norms in everyday life sound important in an era of muscle clones and smartphone app players. Stories from his clients are told somewhat rapid-fire, but the intent is to remind people they aren’t alone in their struggles and that intimacy can be rediscovered. There are many intriguing excerpts from other writers, including heavyweights in and outside of the gay community.
A relatable, timely analysis of pornography’s history and its effect on the mindset of the gay community.Pub Date: N/A
ISBN: 978-1-73213-440-9
Page Count: 226
Publisher: Joybody Books
Review Posted Online: Aug. 2, 2018
Kirkus Reviews Issue: Sept. 15, 2018
Review Program: Kirkus Indie
An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)
Pub Date: July 10, 1995
ISBN: 0-345-39606-5
Page Count: 432
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A superb book about doing his job by a master of his craft.
The renowned writer offers advice on information-gathering and nonfiction composition.
The book consists of eight instructive and charming essays about creating narratives, all of them originally composed for the New Yorker, where McPhee (Silk Parachute, 2010, etc.) has been a contributor since the mid-1960s. Reading them consecutively in one volume constitutes a master class in writing, as the author clearly demonstrates why he has taught so successfully part-time for decades at Princeton University. In one of the essays, McPhee focuses on the personalities and skills of editors and publishers for whom he has worked, and his descriptions of those men and women are insightful and delightful. The main personality throughout the collection, though, is McPhee himself. He is frequently self-deprecating, occasionally openly proud of his accomplishments, and never boring. In his magazine articles and the books resulting from them, McPhee rarely injects himself except superficially. Within these essays, he offers a departure by revealing quite a bit about his journalism, his teaching life, and daughters, two of whom write professionally. Throughout the collection, there emerge passages of sly, subtle humor, a quality often absent in McPhee’s lengthy magazine pieces. Since some subjects are so weighty—especially those dealing with geology—the writing can seem dry. There is no dry prose here, however. Almost every sentence sparkles, with wordplay evident throughout. Another bonus is the detailed explanation of how McPhee decided to tackle certain topics and then how he chose to structure the resulting pieces. Readers already familiar with the author’s masterpieces—e.g., Levels of the Game, Encounters with the Archdruid, Looking for a Ship, Uncommon Carriers, Oranges, and Coming into the Country—will feel especially fulfilled by McPhee’s discussions of the specifics from his many books.
A superb book about doing his job by a master of his craft.Pub Date: Sept. 5, 2017
ISBN: 978-0-374-14274-2
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 8, 2017
Kirkus Reviews Issue: June 1, 2017
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