by Donald S. Chambers Curtis W. Chambers ‧ RELEASE DATE: N/A
A lucid, thorough reflection on the income tax that manages to be both rigorous and accessible.
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A bold assessment of the toll that the income tax has exacted on the American economy, coupled with a plan to replace it.
A father and son, in their debut, proffer a brief but densely packed analysis of the income tax. Unlike many treatments of income tax opposition, they don’t dwell on its constitutionality—an argument whose ship has sailed. Instead, they marshal empirical evidence against the tax, arguing that its replacement by a national sales tax would benefit all American citizens. Helpfully, the book begins with a synoptic account of the history of the income tax, which didn’t exist prior to the Civil War and was passed following World War II. It was initially designed to remain a modest measure, the authors write; however, it ballooned into the primary source of the government’s revenue, and the authors assert that it gradually strangled the prospects of fair competition in an increasingly global economic theater. Now, according to the authors, it ranks as an “economic natural disaster.” They devote much of their discussion to dispelling what they consider to be commonly held misconceptions about the income tax. For example, they argue that the tax is actually regressive, not progressive, and that the brunt of it is ultimately paid by consumers who absorb the cost through inflated prices and deflated salaries. Also, they say, the tax is effectively a self-imposed tariff that disadvantages American businesses competing with foreign rivals: “The income tax raises the cost of domestically produced goods sold in the U.S., but it does not apply an equal tax to foreign-produced goods sold in the U.S.” Although they narrowly confine the scope of their investigation to the income tax, their analysis always involves the U.S. economy as a whole, as they contend that the tax is “the major impediment to America’s economic prosperity.” They also judiciously consider the tax’s political context and realistically acknowledge the many obstacles facing the tax’s elimination.
A lucid, thorough reflection on the income tax that manages to be both rigorous and accessible.Pub Date: N/A
ISBN: 978-0-9860436-04
Page Count: 78
Publisher: Mountain Home Publishing
Review Posted Online: March 11, 2014
Kirkus Reviews Issue: April 15, 2014
Review Program: Kirkus Indie
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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