As a little girl tells of her father’s death from cancer, she mixes tender memories and great pain in an unvarnished account. She and her dad take a trip to the places in Florida he loved when growing up. Her dad is funny and silly, and wonders, as they collect pink and white flamingo feathers, if maybe she’s a flamingo at heart. When they come home, she sits with him after school every day. She knows he is dying, and she’s not surprised when he goes to the hospital for the last time. At his funeral service, all of his friends bring her flamingos, as her father had asked them to do after his death. She fills the yard with them, then knocks them down in pain and in anger. Later, she carefully stands them up again, and scatters her father’s ashes under their feet. When the flamingos disappear under the snow, she dreams that they—and her dad—went back to Florida for the winter. Her father made a Year Book on her birthday each year full of his photographs; she takes all the mementos and flamingo feathers and puts them together for her own Year Book. The art is a wonderful collage mix: objects, torn paper, and childlike drawings colored in pencil or crayon, echo the honesty and realism in the text and are exactly what this little girl would have drawn or collected. Napoli (Daughter of Venice, 2002, etc.), who has written many intense tales for children and for teenagers, takes a page from her own life (and a nephew’s death) here, and transforms it into a wrenching, powerful, four-hanky story. (Picture book. 4-10)
Pub Date: April 1, 2002
ISBN: 0-688-16796-9
Page Count: 32
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2002
Charming.
An assortment of unusual characters form friendships and help each other become their best selves.
Mr. and Mrs. Tupper, who live at Number 3 Ramshorn Drive, are antiquarians. Their daughter, Jillian, loves and cares for a plant named Ivy, who has “three speckles on each leaf and three letters in her name.” Toasty, the grumpy goldfish, lives in an octagonal tank and wishes he were Jillian’s favorite; when Arthur the spider arrives inside an antique desk, he brings wisdom and insight. Ollie the violet plant, Louise the bee, and Sunny the canary each arrive with their own quirks and problems to solve. Each character has a distinct personality and perspective; sometimes they clash, but more often they learn to empathize, see each other’s points of view, and work to help one another. They also help the Tupper family with bills and a burglar. The Fan brothers’ soft-edged, old-fashioned, black-and-white illustrations depict Toasty and Arthur with tiny hats; Ivy and Ollie have facial expressions on their plant pots. The Tuppers have paper-white skin and dark hair. The story comes together like a recipe: Simple ingredients combine, transform, and rise into something wonderful. In its matter-of-fact wisdom, rich vocabulary (often defined within the text), hint of magic, and empathetic nonhuman characters who solve problems in creative ways, this delightful work is reminiscent of Ferris by Kate DiCamillo, Our Friend Hedgehog by Lauren Castillo, and Ivy Lost and Found by Cynthia Lord and Stephanie Graegin.
Charming. (Fiction. 6-9)Pub Date: May 27, 2025
ISBN: 9781665942485
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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