An unabashedly honest and queer debut that is equally strange and heartwarming.
A simmering rebellion breaks out in the city of the author’s mind.
Journalist Minkowitz’s mystical and imaginative debut novel conceives of her mind as a sprawling city full of degenerates, deities, and everything in between. The novel opens with Donna, or “The Narrator,” telling the reader that her therapist does not understand the “lush,” “sprawling,” and “strange” nature of her internal landscape, or what she calls Donnaville. She tells us that Donnaville has always cultivated resistance, and the reader is about to see “what happened when that resistance took flight.” The book contains a three-page list of characters—almost all of whom are parts of the author herself—the jailer, the harlequin, the divine mother, and the child, to name a few. Almost immediately, it’s clear that something is off in Donnaville: The harlequin, the city’s happiest, most beautiful citizen, asks himself “why…things feel wrong.” The citizens are restless and worrying and acting out of character—and the most important citizen is in danger. In the heart of Donnaville, there’s a prison, and in the heart of the prison, in the “most hidden and best-defended place in Donnaville,” lives the child. The child cannot be reached even by the most powerful citizens; she can only be touched with rage by the jailer, who believes his only purpose is to punish people. The divine mother knows the child is in even more danger than usual—and it’s up to the other citizens and deities to save her. Written in vignettes jampacked with tangents and asides, the novel jumps around Donnaville and the happenings of its citizens—which presents an often disorienting reading experience. That said, Minkowitz’s writing is especially strong when exploring identity, abuse, and the power that comes from breaking free of the prisons created for us and by us.
An unabashedly honest and queer debut that is equally strange and heartwarming.Pub Date: Oct. 31, 2024
ISBN: 9781945023354
Page Count: 211
Publisher: Indolent Books
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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