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FEROCIOUS ROMANCE

WHAT MY ENCOUNTERS WITH THE RIGHT TAUGHT ME ABOUT SEX, GOD, AND FURY

An offbeat but engaging exploration of the religious right from a self-described radical lesbian. Minkowitz already has a gem of a reputation among the religious right for her famous 1995 Ms. article, where she posed as a teenage boy to get the scoop on the Promise Keepers. In this book (her first), the Village Voice reporter infiltrates other bastions of evangelicalism, including Focus on the Family, the Toronto Airport Christian Fellowship, and Grace ‘N Vessels, —a kaffeeklatsch of Christian women.— But Minkowitz’s insinuations shun the facile genre of exposÇ for a more subtle and more personally revealing give-and-take. At Promise Keepers, she is moved by the tender affection that men are permitted, for once, to demonstrate to other men and by the participants— anguished admissions of their relational failures. At its core, though, this is a book about sex, about the unbridled passion that simultaneously fascinates and repels the religious right. At the Toronto Airport Christian Fellowship (a group whose worship is so spontaneous and radical that it has been removed from its parent denomination), Minkowitz observes how the language of worshipers casts God as an angry, abusive lover, a theme that is repeated often throughout the book. In many evangelical circles, the worshiper’s relationship with God is portrayed as almost explicitly sexual: —can—t nobody do me like Jesus,— as one little girl says proudly. Minkowitz interweaves several chapters on organizations in the gay rights movement, including Sex Panic! and the S/M Leather Fetish Celebration. What she discovers through these implicit comparisons is that the radical right is a lot more like the radical left than it is different from it—especially regarding sex. She claims that both groups obsess about conquering sin (which S/M people call —violence—). Told with great humor and also—yes, really—love. As Minkowitz brazenly tells three white men from Focus, —I really love you guys. But I just really hate your sin!—

Pub Date: Nov. 6, 1998

ISBN: 0-684-83322-0

Page Count: 224

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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