Preschoolers familiar with the Caldecott Honor–winning Click, Clack, Moo: Cows That Type will recognize that cacophonous crew of barnyard animals in this spin-off “alphabetical adventure.” The story begins with an avalanche of alliteration: “Animals awake / beneath blue blankets. / Clickety-clack!” Once again, Farmer Brown’s cows are typing. Duck dashes off with their freshly typed note, but why? And what does the note say? As Duck zooms by goats grooming, hens helping, and inchworms inching, she grabs a mouse-inhabited, picnic basket–bearing red wagon. The mysterious note turns out to be a big X because “X marks the picnic spot.” (A rather central glitch: the bold X is clearly hand-drawn, and the cows were supposed to have typed this note. Ah, well.) The picnicking menagerie (inchworms included) eats a wagonload of watermelon and promptly falls asleep, a rather sudden ending perhaps designed to cue preschoolers to call it a day themselves. Lewin’s brush and watercolor illustrations are as loose and lively as ever, barely restrained by the A-to-Z format that juxtaposes a big lowercase letter with each visual vignette. (Picture book. 2-5)
Pub Date: Oct. 1, 2005
ISBN: 0-689-87715-3
Page Count: 24
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
Funny, feathery finesse.
In this wordless picture book, a fledgling robin with a vivid imagination keeps resisting its father’s encouragement to fly.
The first double-page spread clearly and cleverly shows a sequence in which a young robin in its nest passes gradually from the stage of pink and un-feathered to fluffy and then flight-ready. The father robin has been busily stuffing the child’s beak with whole worms, another signal that the youngster is maturing. Bold brush strokes and strong colors depict the birds, their nest on a branch, and surrounding foliage—with plenty of negative space to make room for speech bubbles. The “speech” consists of clear images showing a comical struggle between parent and child. Most of the “conversation” takes place on the ground, after the fledgling has inadvertently tumbled from its nest. The anthropomorphic facial expressions and body language are laugh-out-loud funny, as are the fledgling’s ridiculous, naïve pictorial retorts to every reason the adult gives for learning to fly. The baby imagines itself using all kinds of transportation—including, but not limited to, gaily colored hot air balloons, skateboards, and trains—and the father becomes increasingly frustrated. Children will giggle at the power struggle, recognizing human behaviors. Robins, like humans, share all aspects of parenting, and it is commendable that the art depicts this parent as male. As nightfall approaches, the adult finally succeeds in motivating its child, leading to a harmonious concluding scene.
Funny, feathery finesse. (Picture book. 2-5)Pub Date: Sept. 17, 2019
ISBN: 978-1-5344-5128-5
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Fish sporting bright colors and broadly brushed patterns flash across solid blue color fields, as Little Fish introduces finny friends, from “spotty fish, stripy fish, happy fish, gripy fish,” to “eye fish, shy fish, fly fish, sky fish.” Cousins slips in several opportunities for counting, along with all the color and pattern recognition practice, and has Little Fish close on an intimate note, with “the one I love the best,” his mom, coming in for a smooch. Preschoolers will happily dive into this oversized cousin to Lois Ehlert’s Fish Eyes (1990), and Cousins’ own Maisy’s Rainbow Dream (2003). (Picture book. 3-5)
Pub Date: June 1, 2005
ISBN: 0-7636-2741-0
Page Count: 40
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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