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JOHN’S SECRET DREAMS

THE LIFE OF JOHN LENNON

From the Big Words series

In their latest collaboration, Rappaport and Collier combine a spare, poetic text and watercolor-and-collage illustrations to introduce readers to John Lennon and as varied references as Lewis Carroll, Elvis Presley, Chuck Berry, Little Richard, the war in Vietnam, and the civil-rights movement. The bright art bursts forth as pages are turned, and the busyness of the illustrations matches the frenetic tours of the Beatles. However, the circle motif in the illustrations seems overdone, creating clutter and ambiguity, while the prose style seems wrong for conveying the weighty ideas of the text. It’s not clear, for example, what young readers will make of unexplained references to John’s taking drugs, staging a “bed-in” for peace, divorcing his wife to marry Yoko Ono, and studying meditation to find inner peace. A lively, if unusual, take on the pop-culture icon, whose music is as fresh today as it was then. (author’s note, illustrator’s note, important dates, discography, bibliography) (Picture book/biography. All ages)

Pub Date: Oct. 1, 2004

ISBN: 0-7868-0817-9

Page Count: 48

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2004

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ELEANOR

"From the beginning the baby was a disappointment to her mother," Cooney (The Story of Christmas, 1995, etc.) begins in this biography of Eleanor Roosevelt. She is a plain child, timid and serious; it is clear that only a few people loved her. After her parents die, she is cared for in the luxurious homes of wealthy relatives, but does not find acceptance until she arrives in a British boarding school, where she thrives on the attention of the headmistress, who guides, teaches, and inspires her. Cooney does not gloss over the girl's misery and disappointments; she also shows the rare happy times and sows the seeds of Eleanor's future work. The illustrations of house interiors often depict Eleanor as an isolated, lonely figure, her indistinct face and hollow eyes watching from a distance the human interactions she does not yet enjoy. Paintings reveal the action of a steamship collision; the hectic activity of a park full of children and their governesses; a night full of stars portending the girl's luminous future. The image of plain Eleanor being fitted with her first beautiful dress is an indelible one. Readers will be moved by the unfairness of her early life and rejoice when she finds her place in the world. An author's note supplies other relevant information. (Picture book/biography. 5-9)

Pub Date: Oct. 1, 1996

ISBN: 0-670-86159-6

Page Count: 40

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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JOE LOUIS, MY CHAMPION

One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)

Pub Date: May 1, 2004

ISBN: 1-58430-161-9

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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