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RIDE THE PINK HORSE

An unforgettable portrait of a hireling who dreams of making it big even though he knows he’s no good.

Otto Penzler’s reprintings of Hughes’ suspense novels continue with her ninth, originally published in 1946.

The man whom everyone, including himself, calls Sailor has traveled from Chicago to Santa Fe in pursuit of former Sen. Willis Douglass. During the Sen’s tenure, Sailor was officially billed as his private secretary, but it’s clear that he was also his bagman, fixer, and whatever else. He’s followed the Sen to Santa Fe to demand money due him for services rendered in the shooting of Eleanor Douglass, the Sen’s well-insured wife. Sailor’s already been paid $500, but he thinks he’s due $1,000 more. Unfortunately for him, there are several bumps in the road. He’s not the only one with his eye on the quarry: McIntyre, the chief of Chicago Homicide, is also in town. The Sen, who’s already moved on to the companionship of society heiress Iris Towers, naturally denies owing his ex-employee any more money. And his visit coincides with the three days of Fiesta, during which there isn’t a hotel room, and scarcely a bathroom, to be had in town. Sailor’s befriended by a group of locals who range from Don José Patricio Santiago Morales y Cortez, the carousel operator Sailor dubs Pancho Villa, to a gaggle of schoolchildren whose hard childhoods remind him inescapably of his own earliest memories, very different but equally troubled. Hughes (1904-1993) burrows deep into her antihero’s mind and stays there, with conversations and pivotal events mostly erupting as breaks in his stream of consciousness. The effect is gripping and oddly touching.

An unforgettable portrait of a hireling who dreams of making it big even though he knows he’s no good.

Pub Date: March 2, 2021

ISBN: 978-1-61316-201-9

Page Count: 288

Publisher: American Mystery Classics

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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