by Dorothy Bentley ‧ RELEASE DATE: Jan. 1, 2023
The finely detailed plot unwinds slowly, but make no mistake—it’s a page-turner.
This fact-based novel brings to life the 2021 wildfire that devastated Lytton, British Columbia.
With his sister away planting trees and their dad helping fight wildfires up north, Jack, 14, plans to spend the summer biking, working at the pool, gaming with friends, and pursuing his crush, who founded a biodiversity club. There’s not much to do in tiny Lytton, but it’s home: The scenic wilderness surrounding it has miles of biking trails and a terrific swimming hole. Life feels normal, yet Jack’s world is changing. His mom’s away in Victoria when the sweltering, tinder-dry village erupts in a fiery inferno, leaving Lytton a burned-out ruin. Accommodated in a nearby town, the residents take stock. Fire has consumed the Chinese History Museum that honored the laborers—including one of Jack’s great-grandfathers (the rest of his family is implied White)—who built railroads through B.C.’s steep mountains but were erased from history. His friend Rory’s First Nations community, whose land Lytton occupies, has suffered significant losses. The townspeople scatter—some never to return, moving in with relatives or starting over elsewhere. Itemizing his lost items for insurance purposes, Jack ponders intangible losses like community and safety and contemplates how to restore them. Surviving Alberta’s devastating 2016 House River Wildfire has given Bentley deep insights into her subject. Straightforward characterization and understated narration make this a strong choice for reluctant readers.
The finely detailed plot unwinds slowly, but make no mistake—it’s a page-turner. (author’s note, study questions, resources) (Fiction. 12-18)Pub Date: Jan. 1, 2023
ISBN: 978-1-4594-1703-8
Page Count: 136
Publisher: James Lorimer
Review Posted Online: Oct. 10, 2022
Kirkus Reviews Issue: Nov. 1, 2022
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by Dorothy Bentley ; illustrated by Jessica Bromley Bartram
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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by Laura Nowlin ‧ RELEASE DATE: Feb. 6, 2024
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
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by Laura Nowlin
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