Sweet recognition of mothers’ myriad talents.
In this follow-up to My Papa Is a Princess (2018), a young child lists the many roles their mama performs.
In paired digitally created images, usually double-page spreads, the child describes a series of occupations, some fanciful and some not. The first image depicts Mama engaged in some grand pursuit with text that reads “My mama is…,” while the second image concludes the statement and depicts reality. She drives a monster truck in an arena in one image, while the next depicts her holding a cardboard-box truck; in another pairing, she wears scrubs, suturing a patient while her child holds a tray of tools in the first image, while the second reveals her sewing up the abdomen of a ripped teddy bear. Other roles she pursues are: chemist (cooking), quarterback (tossing a football with her child), treasure hunter (discovering lost items under the sofa cushions), architect (playing with blocks), hot lava rescuer (playing make-believe), superhero (more make-believe), and mechanic (attaching training wheels to her child’s bike). While it’s a little too bad that readers don’t see any actual occupation this mama may pursue aside from motherhood (wouldn’t it be awesome if she really were a surgeon?), the depiction of a black mother and her child stands out among similar titles that depict either white humans or animals.
Sweet recognition of mothers’ myriad talents. (Picture book. 3-6)Pub Date: April 16, 2019
ISBN: 978-1-936669-71-4
Page Count: 32
Publisher: blue manatee press
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
A rite of passage seen through the lens of a favorite literary pal.
Llama Llama loses a tooth for the first time.
All of the wiggling can make having a loose tooth fun, but there can be some worry, too. How will it fall out? There is a tooth fairy? What does she do? Llama Llama is distressed. “Is it fun? / Or is it scary? / Just who, exactly, / IS this Fairy?” Luckily, Mama is there to help. “The Fairy’s great. She’s kind and funny. / She takes your tooth / and leaves you money.” Llama Llama is on board with that! Appropriately, exactly how much money is never specified, but the tiny llama fairy is shown carrying a bag stuffed with bills. Hopefully she has many houses to visit. Gram and Grandpa have lots of ideas on how to get the tooth to fall out, but Llama’s tooth stays put until bedtime. Suddenly, Llama realizes his tooth is gone: “OH NO. / Where is that tooth? / Where did it GO?” Will the tooth fairy come if the tooth is lost? The comforting cadence of the rhymes paired with warm, textured hues soften all the drama. As in the other posthumously published Llama Llama books, Morrow’s textured paintings emulate Dewdney’s definitively lined renderings. The fluttering llama fairy, along with Llama’s stuffed llama, whose wide eyes notice all, will delight eagle-eyed readers. (This book was reviewed digitally with 10.3-by-20-inch double-page spreads viewed at 41.8% of actual size.)
A rite of passage seen through the lens of a favorite literary pal. (Picture book. 3-6)Pub Date: Nov. 17, 2020
ISBN: 978-0-593-20603-4
Page Count: 40
Publisher: Viking
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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