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FINALLY, SOMETHING DANGEROUS

THE ONE AND ONLYS AND THE CASE OF THE ROBOT CROW

From the One and Onlys series , Vol. 2

A tasty treat for any mystery lover.

Who’s ready to sniff out some crime?

The One and Onlys—Gloria Longshanks “Shanks” Hill, Alexander “Peephole” Calloway, and Paul (still no nickname) Marconi—return in this sophomore outing. Although technically Peephole isn’t an only child since the birth of his baby sister, Trillium, the group name is really good, so they kept it. This time Shanks serves as the narrator, guiding readers through the evolving town of Bellwood, where Mayor Frank Pilkington is aggressively pushing a platform of newness and wants the residents to start patronizing the sleek, national restaurant chains that have been popping up around the city. Along with the restaurants, the town has been experiencing a wave of scents drifting through the air, from the sweet smell of ice cream to the mouthwatering aroma of pizza. But when the denizens start queuing up at their old favorites, the foul odor of sewer pipes frequently sends them running toward the corresponding chain restaurants instead. Who could be responsible for these crimes against mom-and-pop stores? And are they connected to the recently spotted robot crows seen around town? As before, Cornett plays fair with the clues, allowing young sleuths to potentially solve the case ahead of the detectives. A subplot regarding the historically unequal treatment of Black citizens of Bellwood integrates seamlessly into the story, providing readers with some food for thought after the denouement. The central cast reads White; there is racial diversity among supporting characters.

A tasty treat for any mystery lover. (Mystery. 8-12)

Pub Date: Nov. 22, 2022

ISBN: 978-0-593-43292-1

Page Count: 240

Publisher: Knopf

Review Posted Online: Sept. 13, 2022

Kirkus Reviews Issue: Oct. 1, 2022

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THE GREEN KINGDOM

A verdant, enchanting read let down by poorly executed diverse representation.

Old riddles provide a modern girl with a summer adventure.

Caspia Turkel would rather stay in her small Maine town than spend 11 weeks (the whole summer!) in Brooklyn, even though her parents are excited about the opportunities awaiting them. Within a hand-painted dresser in their rented apartment, Caspia finds a stack of pale-green linen envelopes, tied with a velvet ribbon. The letters inside were sent in the 1950s and ’60s to a girl named Minna from her loving sister, Rosalind, and they contain a series of riddles about plants. Even though she’s never given much thought to growing things before, Caspia dives into this scavenger hunt and learns unexpected things about what Rosalind dubbed the “Green Kingdom.” She also meets amazing people on her journeys around her urban neighborhood, which includes the Brooklyn Botanic Garden. The broad range of featured plants includes many that are likely to be familiar to readers. Co-authors Hartung, who has botanical expertise, and Funke, whose original German text was translated by Anna Schmitt Funke, add magic to the mundane, collaborating to create a realistic story that nevertheless feels wonderfully fantastical. Castrillón’s delicate illustrations have an old-fashioned feel and provide marvelous atmosphere as well as effectively highlighting the various plant species. Caspia, who’s white, makes a diverse group of friends in Brooklyn, but many of their portrayals feel exoticizing and othering, marring the attempt to celebrate diversity. (This review was updated to reflect further communication from the publisher regarding the translation credit.)

A verdant, enchanting read let down by poorly executed diverse representation. (Fiction. 8-12)

Pub Date: April 1, 2025

ISBN: 9780593959305

Page Count: 224

Publisher: DK Publishing

Review Posted Online: Dec. 28, 2024

Kirkus Reviews Issue: Feb. 1, 2025

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ESCAPE FROM BAXTERS' BARN

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

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