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I’M BEING STALKED BY A MOONSHADOW

While not a girl-magnet like his melodramatic younger brother, budding playwright Seth Parrot, a 14-year-old Australian, leads a content life until his “alternative” parents build their dream home, literally, out of mud bricks. They “render” it with a coating of manure, bringing out the no-nonsense senior environmental-health officer and town councilor, Mr. Raven. Seth’s father accidentally (although this is questionable) flicks manure at Mr. Raven, starting a bitter war between the families. Seth also worries about his overly amorous parents’ sudden lack of interest in each other and that he’ll never find a woman as fine as Opal Honey, the muscular Ms. Olympia bronze medalist. Then he meets the toned kickboxing student, Miranda, at the Shared Learning Center his mother runs. When the teen discovers that Miranda is Mr. Raven’s daughter and Miranda’s father discovers who his daughter is dating, the battle escalates until the star-crossed couple, a wacky band of concerned citizens and Seth’s father intervene. With a fresh voice, sensitivity, dead-pan humor and myriad odd facts that he weaves into the story, Seth is irresistible. Would that more of MacLeod’s charm and humor crosses the ocean. (Fiction. YA)

Pub Date: Oct. 1, 2007

ISBN: 978-1-59078-501-0

Page Count: 200

Publisher: Front Street/Boyds Mills

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2007

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DON'T LET THE FOREST IN

Lush, angsty, queer horror.

When the monsters they imagine come to life, two boys fight for their lives—and each other.

Andrew Perrault, who’s from Australia, writes beautiful, macabre fairy tales. His roommate at his American boarding school, Wickwood Academy, is talented artist Thomas Rye, who brings his stories to vivid life in paint and charcoal. Andrew’s twin sister, Dove, is all but ignoring him, so he has plenty of time to focus on Thomas’ increasingly odd behavior. Thomas’ parents disappeared just before the new school year started, and Andrew noticed blood on his roommate’s sleeve on their first day back. When he follows Thomas into the forest one night, Andrew discovers him fighting one of the monsters that Thomas has drawn from these stories. The boys soon find themselves coping with vicious bullies by day and fighting monsters by night. At the same time, Andrew struggles to reconcile his feelings for Thomas with his growing awareness of his own asexuality. But when the sinister Antler King breaches Wickwood’s walls, Andrew realizes that he and Thomas may not survive their own creations. This novel, written in rich, extravagant prose, features frank portrayals of disordered eating, self-harm, bullying, and mental illness. Andrew grapples realistically with his sexual identity, and the story has ample genuinely creepy moments with the monsters. Andrew, Thomas, and Dove are white.

Lush, angsty, queer horror. (content warning) (Horror. 14-18)

Pub Date: Oct. 29, 2024

ISBN: 9781250895660

Page Count: 336

Publisher: Feiwel & Friends

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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A QUEER HISTORY OF THE UNITED STATES FOR YOUNG PEOPLE

Though not the most balanced, an enlightening look back for the queer future.

An adaptation for teens of the adult title A Queer History of the United States (2011).

Divided into thematic sections, the text filters LGBTQIA+ history through key figures in each era from the 1500s to the present. Alongside watershed moments like the 1969 Stonewall uprising and the HIV/AIDS crisis of the 1980s and 1990s, the text brings to light less well-known people, places, and events: the 1625 free love colony of Merrymount, transgender Civil War hero Albert D.J. Cashier, and the 1951 founding of the Mattachine Society, to name a few. Throughout, the author and adapter take care to use accurate pronouns and avoid imposing contemporary terminology onto historical figures. In some cases, they quote primary sources to speculate about same-sex relationships while also reminding readers of past cultural differences in expressing strong affection between friends. Black-and-white illustrations or photos augment each chapter. Though it lacks the teen appeal and personable, conversational style of Sarah Prager’s Queer, There, and Everywhere (2017), this textbook-level survey contains a surprising amount of depth. However, the mention of transgender movements and activism—in particular, contemporary issues—runs on the slim side. Whereas chapters are devoted to over 30 ethnically diverse gay, lesbian, bisexual, or queer figures, some trans pioneers such as Christine Jorgensen and Holly Woodlawn are reduced to short sidebars.

Though not the most balanced, an enlightening look back for the queer future. (glossary, photo credits, bibliography, index) (Nonfiction. 14-18)

Pub Date: June 11, 2019

ISBN: 978-0-8070-5612-7

Page Count: 336

Publisher: Beacon Press

Review Posted Online: March 12, 2019

Kirkus Reviews Issue: April 15, 2019

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