Travel, both conventional and through time, brings rousing action, romance, and unorthodox marriage counseling.
A bicycling trip around the world remains a beleaguered couple’s last chance to save their marriage from boredom, deceit, and time-traveling lovers from the past.
In this novel, Edward and Kara Vaughan are a Seattle couple nearing age 30 and married for almost six years. Their existence has already devolved into a monotonous routine, complete with a room of “forgotten hobbies” and a dwindling sex life. About to hand her husband divorce papers, Kara is shocked when he proposes they take the journey she’s long dreamed about—cycling around the world. She sees this as a chance to rekindle their relationship, but the impetus for Edward, a workaholic businessman, is merely the unceremonious way he quit his job after being passed up for a promotion. The last-minute trip begins with them struggling against the Montana winter, but what they later encounter on their odyssey poses a more unusual challenge. Accompanied by a strange blue shimmer are lovelorn anachronisms thrust into the present day, time travelers connected to Kara’s and Edward’s past lives. Some seem content that Kara has moved beyond them. But a religious pickpocket and forger from the Renaissance era named Alessio is not ready to let her go, leading to a showdown in Florence with Edward for Kara’s love or, barring that, her life. Walsh, a veteran of video game strategy guides, imbues his romance with as much action as any game he’s ever peeled back the secrets of. With the settings ranging from Washington state and Canada to London, Belgium, Paris, and, eventually, Italy, the novel captures the intense details of the trip, including the couple’s chafing thighs and exhaustion on their bikes; their emotionally heightened fights and sniping; and their moments of romantic rejuvenation in new, exotic surroundings. Despite his unwillingness to acquiesce like his fellow reincarnated brethren, Alessio is a sympathetic villain, driven by the same unrelenting pride and fear as Edward, a fitting physical obstacle for the couple to overcome if they wish to break the pattern of heartbreak. The book boasts an impressive knowledge of cycling as well as the history it draws from, be it Renaissance Italy or the time of the French Canadian voyageurs, a pleasant balance to its more outlandish conflicts.
Travel, both conventional and through time, brings rousing action, romance, and unorthodox marriage counseling.Pub Date: Jan. 1, 2019
ISBN: 978-1-73274-670-1
Page Count: 338
Publisher: Snoke Valley Books
Review Posted Online: April 8, 2020
Kirkus Reviews Issue: June 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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